Experimental Electronic Music
The Sound of Dreams is everything I like about anthologies, a collection of very diverse personalities and idiosyncrasies expressing themselves in short performances, with plenty of guitars, strange but empathetic vocals (especially the chanting) and most of all, the sounds of birds and bugs.
Euan grew up in a mostly quiet, non-musical household where records were scarce and music lived mainly in car rides soundtracked by Fleetwood Mac and Whitney Houston—until a childhood Walkman and Lionel Richie cassette sparked a lifelong, deeply personal connection to sound.
Forming drifts and surges through a rich confluence of electronic abstraction, acoustic intimacy, jazz-adjacent phrasing, and bass-driven undercurrents. There’s a tactile quality to it all—textures brush against one another, moments of delicate frisson give way to sudden bursts of kinetic energy, then dissolve again into something weightless and searching.
Lo Recordings proves once more its ability to extend the field of modern-day electronic experimentation, always bringing to the fore a community of talented sound artists with broader visions in terms of musical language.
Late 2025 marked the arrival of Plateau, introduced as an EP surging across six abstract, timbre-rich sound sculptures. A few months on, a set of bonus treats emerges—four new pieces extending that journey along a brisk, polished braindance continuum.
In a year already rich with strong releases, Serge Works stands out for its clarity of vision and depth of execution. It rewards patience, revealing new details with each listen, and invites the listener into a space where time, texture, and tone intertwine. Whether experienced as a technical showcase, a tribute to lineage, or simply as a series of immersive sound journeys, it resonates on multiple levels.
Kaleidoscope reveals more hidden dimensions and interpretations of the marvelous world around us, an autobiographical journey through the creative life itself, cyclical rather than linear in form. The feeling is enriching and complex, more listening unlocks more new territories.
Empty Halls is a longer meditation, generating a haunting atmosphere that invites the listener to become lost inside its unfolding darkness. In this way, it can also provide peace and comfort in the darkness of wintertime.
In Place of Language is a truly exciting record. In a time where much of electronic music harks back to the past, two trailblazers have combined to produce an EP that is firmly set on the future.
Moho Abyss is quite distant from Bianchi’s recent classics in darkly meditative, blurred-out melodic ambient, and instead targets its sound exploration toward spectrality, blooming cybernetic resonances, and hypno-ish synthesized pulses.
Taken together, Tomoroh Morning – A Tribute to Tomoroh Hidari stands as a vivid document—one that reflects each contributor’s voice while honoring an artist who cultivated wide connections yet kept creative paths distinct. As noted in accompanying liner notes: “There will always be a tomorrow morning.”
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