This new album presents intricate, diversified and ultimately swelling soundscapes of magnetic grandiosity.
Tag: Abstract
Adam Wiltzie :: Eleven Fugues For Sodium Pentothal (Kranky)
It feels almost odd to say that this is Adam Wiltzie’s solo debut album; Wiltzie has been working in various groups for over thirty years, groups with which he’s amassed a pretty large catalog, but one that was lacking his very own solo creation.
Indek :: Yope EP (Self Released)
This erratic EP by Indek seamlessly combines braindance components with disjointed sonic structures.
Production Unit Xero :: Mr. X (Heterodox)
Production Unit Xero continues to dissect chaotic soundscapes, breaking the sonic spectrum with an abundance of glitch jungle breaks and beats on Mr. X.
Feeling Flying :: Feeling Flying (*Handstitched)
Atmospheric sustained chordal drones with changing textures and tempos. The proportions create illusions, flying at a great altitude might appear to be slow from a distance, but the intervals traveled are astounding, and the one who is flying is probably catching the greatest sense of motion, as perceived only by the constant listener.
Roel Funcken & Cor Bolten :: Stark EP (Self Released)
The sounds of the cosmos describing itself. Six magnetized electronic components come together in the Stark EP—all in sequential order from 1 through 6.
Chad Mossholder :: Haptic Clouds (Schematic)
Designed to be listened to on headphones, Chad Mossholder finds more ominous micro-glitch nuances hidden behind these eight sonic peripherals.
Lectromagnetique :: Exodus EP (Lectromagnetique)
It sounds like Lectromagnetique is summoning the dead to perform these enigmatic and scorching electronics.
scav :: The Second (Mahorka)
scav finds solace in peculiarly compelling minimized clicks and cuts where skillfully weaved ambient noises mingle with darker soundtrack elements producing pleasant tones to the core.
Neuro… No Neuro :: minute. EP (Self Released)
Subtle field recordings and granular synthesis spread across these compositions as shimmering elements take hold.
Keith Fullerton Whitman :: Presque Là (Self Released)
The use of the standard music trifecta of bass, drums, and melody does ground these pieces in the familiar, yet the way Keith Fullerton Whitman has broken these out of their mold means what he is doing is still risky and groundbreaking research.
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