Experimental Electronic Music
Foraging through massive amounts of data and reconstituting them into byte-size recordings that have sporadic start and end points, The Best Of Yellow Yellow Salamand’r is a perplexing and dense assortment worth diving into head-first to unravel its mysterious trip.
Fully formed and constantly splitting apart, a wide angle lens is placed upon hundreds of microscopic bits, bytes, blips, and bleeps, providing ample room for expansion and artistic growth.
This is theater, this is a type of dark story told by sound and I want to go back. There is something behind me now.
ZZY have their sonic machinery tuned with ethereal and expressive glitch-electronics; the blend of atmospheric layers stretch as far as the eyes can see.
A solid package showcasing the artists’ ability to flex and fracture darkened electronics within the constructs of seamless and unexpected ambient voyages.
Eight years of fragile and amorphous memories form into layers of sounds intended to open the whole body to the celestial world.
Rarely adhering to one rhythmic construct within the confines of a song, individual phrases are crafted to their logical conclusion with real thought as to what should come next.
Burial shows he’s unafraid of forging ahead even if it strays from his hits. This is aural cinematography created by a master storyteller working not in words but in sound itself.
It’s all here, as subdued as it can ever be. Beyond the Clones doesn’t outright produce music that hits you in the face, but rather, massages our subconscious.
Broken bass and electronified hip-hop sounds are in full force with Lokom’s latest for EC Underground as Vor Reflex exudes funk and glitch elements torn to shreds.
The Ever Sounding Sea Of Grief delivers frozen sculptures of electronic ambient where bleakness, austerity and sublimity rise from a grainy, tumultuous and rumbling sea of noises, drones and textures.
![F~M :: Fose (Old Technology) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/05/fm-fose_feat-75x75.jpg)
