Hrísey appears to be a collection of processed micro-noises and sounds collected empirically in Northern Iceland. George Cloke is a young sound artist coming from […]
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ALAN LOCKETT :: Slings the Wooze Renewed mix
2016! Reeling from The Shock of the New, Igloo’s Wooze-slinger Alan Lockett (aka Mist-maxer albient) is moved to review and renew (or take refuge, depending […]
x.y.r. :: Mental Journey To B.C. (Not Not Fun)
Vladimir Karpov floats fetid Formanta-mini (‘vintage Soviet keytar‘) loops and neo-vaporwave wibble over soft primitivist machine rhythms backlit with a mezzotint of remote insect drone […]
MMT-8 :: Sequencer EP (Cultivated Electronics)
Sequencer shows the sharper side of Cultivated Electronics. Clinical rhythms, driving bass lines and just a touch of warbling funk when needed. A solid expression […]
T e l e p a t h テレパシー能力者 :: 神秘的情人 “Mysterious Lover” (Tokyo Exchange)
Crisp, tranquil and alluring, this album is a must for those seeking escapism into a realm of limitless magic and mysterious love. Anonymous deep ambient […]
Tobias Hellkvist :: Pause (Dragon’s Eye)
Pause, Tobias Hellkvist’s first for Dragon’s Eye, sees the Swedish sound designer rummage through his archives and dig out a more minimalist work of a decade’s […]
777 :: Breaking from the Bonds of Berlin (Interview & Mix)
Perhaps I was wrong about Berlin and survival of the fittest. New and exciting imprints, like Wilson’s, are flourishing. Maybe “THE capital” has enough shelve […]
Igloo Magazine :: Best of 2015
So here it is—from ambient drone to post-rock, jazz and modern classical, from IDM to experimental to post-digital microsound; hallucinatory electronics to experimental soundscapery, candy-color […]
Jonathan Kawchuk :: North (Eilean Rec.)
North is true, a subtle combination of acoustic and electronic instruments, skeletal and essential—no more than what you need to make it through. A brief collection […]
Savage Grounds :: Unpleasant Music for Unpleasant People (Lux Rec)
The style of techno that Savage Grounds are exploring isn’t the conventional type. Their form adopts the underproduction of Chicago house, the bursting rage of […]
Born in a less than likely place :: Vielspaß
Born out of basement space, described by Prioux as a “bargain underground club,” underneath the DMA Vielspaß has all the attributes of an arts college […]
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