This diverse musician showcases the breadth of his sound on Guidance Release, absorbing compositions filled with textured layers and engrossing melodies. Simply super from start […]
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Panama Fleets :: Magick Window & The Stone Tapes (Sparkwood)
Panama Fleets is concentrating luxuriantly on texture and ambience here and is certainly not failing to achieve that goal. With percussive sounds taking a bit […]
V/A :: √∆1 (Massage Brain Cult)
It’s easy to get nostalgic. The past can be a tantalizing prospect. However, the concept of Braindance is not a particularly backward looking idea. This […]
In Rotation :: Multi-view (February 2020)
In rotation for the past several weeks/months, this multi-view reveals the latest sonic landscape from 8 talented musicians. Plenty of brittle, glitch, abstract, noisy, mechanical […]
Proswell :: Amaterasu (Touched Music)
It’s a new year and a new start for most, but Touched Music continue with what they’ve been doing all along and throw down a […]
WastedCake :: In the Algorithm We Trust?
WastedCake — To me, that word or phrase signifies just how many good things go neglected and ignored. Hundreds of thousand of people have great […]
Infinite Scale :: The Value of Accessibility EP (VLSI)
The consistent thread across nearly 20 years that Harmi Palda has been releasing music is the extraordinarily high quality of each and every track. They […]
Storming The Studio :: 40 Years of the Future Worlds of Jack Dangers (Part 1)
Igloo Magazine presents a serialized, long-form oral history of the work of Jack Dangers, front man for Meat Beat Manifesto, Perennial Divide, Tino Corp, The […]
North Atlantic Drift :: Pillars (Polar Seas)
A heightened spiritual drive that will accompany your most reflective moments. This new album will easily appeal to fans of Bing & Ruth, Christian Fennesz, […]
Igloo Magazine :: Best of 2019
With contributions from Alan Lockett, Chris Amell, James Knapman, Philippe Blache, Pietro Da Sacco, and Robbie Geoghegan, Igloo Magazine has compiled an extensive list of […]
Releases we now consider classics
It’s absolutely true that the sheer volume of music that falls into the category of Electronica/IDM is so vast that it is daunting if not completely paralyzing for someone new to it all to get a handle on.

















