Kutin’s expressive restraint definitely comes into its own when unhindered by constrained dictates of form. [Release page] Peter Kutin formerly belonged to the Austrian trio […]
Recent Posts
Team Doyobi :: Digital Music Volume 1 (Skam)
Bouncy, precise and multifaceted in its defused rhythm bursts, Team Doyobi delivers a unique blend of corrupted electronics that still manages to stick to wooden […]
Plaster :: Soyuz EP (Crazy Language)
The Soyuz EP ultimately proves that there’s still plenty of life left in this field of musical experimentation—a breathing entity that can only be guided […]
Off Land :: Eventide Passage (Enpeg)
These are not just pleasant ambient swirls. Sure, they glitter like Aphex Twin’s Selected Ambient Works, however, there’s a distinctive fragrance that appears and disappears […]
FBK :: Antithesis (diametric.)
Engaging and entrancing, Kennedy sets sounds running and moulds them. Like a piece of clay on a potter’s wheel, FBK shapes and curves his sound; […]
Five questions for Laridae
Laridae—your netlabel for encoded highs and lows responds to igloomag.com’s Five questions. Learn more about how this Austrian label has planted the netlabel seeds and […]
Frak :: Muzika Electronic (Digitalis Industries)
That generic sounding yet particularly apt title is a cover for an album that serves up everything from vocoder-laced electro-pop to radiophonic workshop tinkerings, further […]
Marcus Fjellström :: Library Music 1 (Kafkagarden)
A Greig-like overture glittering with Nordic morning dew, machine music for workers in the player-piano factory, three-ring ditties for a merry-go-round made of fog, synthesizer […]
Monolake :: Ghosts (Imbalance Computer Music)
A continuous blend of rhythmic bass sequences, micro-dub, hypnotic loops, minimal soundscapes, pulsating textures and an all-out spaciousness in audio design is prevalent on Ghosts. [Release […]
Dosem :: Parallel (Sino)
Although Dosem is already a popular international party deejay, this is his first, full album and it’s a hit. His crisp, clean and clear compositions […]















