“A man should hear a little music, read a little poetry, and see a fine picture every day of his life, in order that worldly […]
Recent Posts
Daedelus :: The Light Brigade (Brainfeeder)
Daedelus works in the fringes of genres, taking what works at the limits and pushing the boundaries just a bit more. What is the beat […]
UNDERWORLD :: Dubnobasswithmyheadman 20-year reissue (Universal)
Dubnobasswithmyheadman (Super Deluxe Edition) —A massive undertaking … Undeniably expansive … absolutely ecstatic. I first heard Underworld in Brighton, UK, in 1996. My brother and I […]
Aphex Twin :: Syro (Warp)
While we wait for the earth shattering material, though, Syro is a nice reminder that the genius is alive and well. As an artist, Aphex […]
TAPE :: Transmissions 2
Ah. The humble cassette tape. For some it’s been consigned to the history books of defunct formats, for others it’s the medium of choice to […]
Skanfrom :: Postcards (Suction)
Minimal and stark in one breath, lush and inviting in the next. Crisp percussion thawed with lovingly constructed machine melodies. Perhaps I shouldn’t have agreed […]
Boards Of Canada :: Hi Scores EP (Reissue) (Skam)
Hi Scores proves that Boards Of Canada were skilled sound designers from the start. In their debut EP for Skam, Boards Of Canada signaled a […]
Future 3 :: With And Without (Morr Music)
A studied performance with the most meticulous of production. The trio have preserved something of a soul within. A strong and exemplary effort. This is Future […]
Farthest South :: Spheres & Constellations Remixes (False Industries)
Here we have substantial retools from Frank Bretschneider, The Sight Below, Maps and Diagrams, and head honcho Yair Etziony himself. Tel-Aviv’s False Industries delivers a […]
June :: The Human Target (June)
Complex pieces, warming works and an ability to structure tracks to really open up a dancefloor. As the years of writing record reviews gather into […]
Francisco López :: Untitled#281 (Störung)
‘Field recordings are typically viewed and listened to as referential or simulative. My approach with environmental sound matter moves away from this representational perspective and […]

















