Experimental Electronic Music
We Are All Strangers marks the fourth chapter in Shedir’s evolving sonic journey, picking up the thread from 2023’s Before the Last Light is Blown with a quieter, more assured voice. In this patient, immersive work, uncertainty becomes atmosphere, and beauty emerges not from clarity, but from a deep, enduring presence.
Oh Mr James’ I’m Not Here is a tight, retrofuturist ride through breakbeats, electro, and braindance, fusing nostalgic circuitry with crisp modern form. Across six tracks, it distills decades of electronic experimentation into sharp, rhythmic vignettes that hum with robotic soul and sci-fi flair.
Belgium-based sound-art project ‘t Geruis, the alias of Daniël Jolan, crafts deeply introspective ambient compositions rich in textured, grainy detail and emotionally immersive soundscapes. His latest release on Home Normal leans into shadowy drones and decaying acoustic fragments, evoking a melancholic elegance reminiscent of William Basinski and Miguel Angel Tolosa.
Lorenzo Bracaloni (aka Fallen) crafts ambient music that feels like a quiet departure from the noise of everyday life, guiding listeners into expansive, reflective spaces. Secret Prayers to the Wise Dormant Moon captures this essence beautifully, blending gentle piano with cinematic tones to create a soundworld both intimate and uplifting.
Yaporigami and Smany’s debut as vvhy on Detroit Underground crafts a world of glitch-infused intimacy and spectral emotion. Through fractured beats and haunting vocals, the duo shape an enigmatic soundscape that feels both meticulously constructed and beautifully intangible.
As the crisp Autumn air settles over the Ohio Valley, Alessandro “Asso” Stefana’s self-titled new album on Ipecac perfectly captures the season’s shifting moods with its experimental, folk-infused soundscapes. Blending minimalist arrangements, evocative Americana, and haunting archival vocals from Roscoe Holcomb, this record weaves a deeply emotional journey that feels both timeless and vividly rooted in place.
Cravagoide’s Hidden Sanctuary is a wistful, richly textured IDM suite that weaves ambient drift, downtempo rhythms, and cinematic atmospheres into a nostalgic yet forward-looking soundscape. Drawing inspiration from the golden era of Arovane and Seven Ark, it’s a meditative foray where memory and melody gently intertwine.
Dragon’s The Tullus Project is a high-voltage plunge into the fractured circuitry of Clean Error’s Errormatic extension, fusing glitch-tech precision with post-human emotion. Blending scorched […]
Bernhard Living’s Unanswered Questions continues his tradition of sparse, minimalist electronic compositions inspired by 20th-century composers—this time focusing on the conceptual and structural ideas behind works by Charles Ives. Each of the four tracks offers a thoughtful reinterpretation, distilling Ives’ complexity into ambient soundscapes that blend philosophical depth with musical restraint.
Rusted in the Salt Air is a deeply atmospheric sonic journey that blends natural field recordings from the windswept Suffolk coast with lush, slow-burning electronic textures created using vintage synthesizers and spring reverb. Inspired by the haunting landscapes of Orford Ness and the literary reflections in Sebald’s Rings of Saturn, the album evokes themes of decay, memory, and transformation through immersive soundscapes rich with birdsong, wave wash, and ghostly drones.
Electronic music pioneer Ed Upton, aka DMX Krew, has been shaping underground sounds for over three decades. In this interview, he reflects on his early days, musical evolution, and the inspiration behind his new album No Way To Control It.
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