Presenting an array of emotive tunes that show how delicate and sensible Mike Paradinas’ way of composing music, which not only emanates positive and rather light approaches in music expression, but makes a statement on how electronic music can be graceful and yet intriguing.
Recent Posts
Fluorescent Grey :: Smelted (Katabatik)
The closing piece feels like a culmination of all that’s transpired as “Everything Is Turning Into Steam” scrapes up all the pieces in a slanted braindance/jazz assemblage and allows this release to explore a new chapter in the experimental electronics scene.
Cosmos In Collision :: The Passage Of Time (Sun Sea Sky)
Sometimes the constant listener might be passing right through the lines between ambient-electronica and post-rock, with layers of shimmering synths and gone distant etherial guitars.
Frank Riggio :: qu4 (Hymen)
The eroded and surreal sonic manifests on qu4 carefully collapse and recombine succinctly, casting darker shadows than previously explored,
Kate Carr :: Midsummer, London (Persistence of Sound)
The way the drones and nature sounds blend together produce a noticeable, primordial outcome that is practically terrifying as Midsummer, London explores morbid emotions like […]
zakè :: B⁴+3 (Zakè Drone), zakè & Benoît Pioulard :: eve (Past Inside The Present)
Double review for zakè’s B⁴+3 (Zakè Drone) and zakè & Benoît Pioulard’s eve (Past Inside The Present)—proceeding to windblown drones and bells tintinnabulating across the sound field.
Morakh :: Helix (Mestnost)
Encompassing distant field recordings, nostalgic IDM from a bygone era, and the bewilderment of how sound can alter one’s emotions, the plethora of positive grooves on this recording are endless.
iNFO :: Parallel Realities (Touched Music)
The tracks on this release show such carefully constructed rhythms, with no hi-hat out of place, and each rhythm synergetically adding to the establishing layers of sound to create something much greater than the sum of its parts.