Experimental Electronic Music
Almost everything about this LP is really engaging and well executed. It nails its details, there’s so much variety in the longer tracks that it’s difficult to feel bored by their repetitive atmosphere or palette, as all the variations or added textures f5point6 displays make these tracks work incredibly well.
A very creative composer who isn’t afraid to delve into the strands of the past and present, threading surreal, evocative, and emotionally charged aural pathways that we will continue to revisit.
Justin Patrick Moore’s Negativland with Sue-C show review and Stand By for Failure Documentary double feature.
In this sweetened half-dozen selection, p1nkf1re distinctly catches brittle moments of IDM, electro, breaks, braindance, and, more importantly, has fun with it. It’s the nostalgic sound of bygone days, brought forward to current day levels.
The thirteen pieces, broken, infected, and deformed from every viewpoint, exude off-center rhythms and fragmented beats in an unabridged collection that seems to have no beginning or end.
This album is fresh, colorful, and flush with innovative ideas that are recommended for lovers of challenging IDM, microhouse, motorik electro musik, as well as kinetic abstract ambient minimalism and ascending romantical piano music.
Consequently, we are immersed in slow-moving textured ambiances punctuated by aleatoric piano motifs and diverse sources of manipulation. In itself, the music tends to be conceptual and cerebral but beautifully enveloped by absorbing sentient waves.
Some sort of obscure, magical ritual this is; surely an engaging one, as this Tam Lin LP tries to immediately hypnotize you as it begins. It does succeed, indeed, as you’ll likely be asking yourself what is happening throughout the entire album.
