For many true fans of electro, it should have a sci-fi, almost alien-like sound, and give highs in the living room or dancefloor—all of which is excellently executed by dynArec.
Recent Posts
Printiig :: Interhymns (Point Source Electronic Arts)
Hailing from India, Shubharun Sengupta occupies the Printiig moniker and Interhymns is a ten track behemoth of electrical activity and shrapnel beats.
Seabuckthorn :: Of No Such Place (laaps)
I especially enjoyed the fact that there is still plenty of room for more experimental sounds and that the delicacy is not the big idea here.
BASTARD :: Full Bleed EP (Renraku)
A spontaneous yet refreshing EP; foraging glitch acrobatics with a roughened textural style.
Vails :: Elysian Fields EP (Subtle Energy)
Although Vails has enough dexterity to travel between genres, his synthwave sensibility seems to stand out, which could be a very promising direction for future releases.
Tom Hodge & Floex :: Je Suis Karl — Original Motion Picture Soundtrack (Minority)
Floex’s electronics can be punchy and delicate in spots; they juxtapose Hodge’s flow of wailing orchestral sounds…
Fleck E.S.C :: Rough Silk EP (Central Processing Unit)
Fleck E.S.C (aka Franck Collin) proves yet again his ability to create music that is both unique and electro-centered—Rough Silk being his second EP for CPU.
Symphony of Sirens :: The sound of a city alive with industry
A much lesser-known name is Russian composer Arseny Avraamov (1884-1944), who was producing music just as radical and challenging to audiences, and to our ears, and 100 years ago today.