Experimental Electronic Music
Both records express what has been built up to in previous outings from these artists, and they may as well be the culmination for both for now; unless there’s even more coming out this year, at which point I’d have to see which way the wind will be blowing in future releases.
The result is captivating, thoughtful, emotive, strange, and navigating through cerebral sound waves, smooth atmospherics, moody-esque sculpted improvisations to radical rhythmically-orientated and almost glitch-like experimentations.
You have to love yourself a fire surrounds itself by a plethora of abrupt breaks and distorted electro-nics; going on several tangents with low-flowing synth sections complemented by precision audio plateaus.
The sensation is not of a linear event but a cyclical one, constantly ebbing, flowing, evolving and repeating. In these pieces Davis seeks to enfold, embrace and uplift the listener with these enveloping works.
Psychic functions, postmodern poetical romanticism and paranormal phenomena are summoned to generate an absorbing, menacing, dreary, ecstatic and eerie cinematic experience.
And so we come to When Can, the strangely enigmatic and oft-overlooked collaboration between Kettel and the equally elusive Secede. I’ll admit to being as surprised as I was delighted when Lapsus announced its reissue as a deluxe vinyl edition because it’s an album I adore, so much so this is now the third time I’ve written about it.
If you’re in the mood for good modern IDM, Feal has got plenty. More specifically, if you want to put on a record and be sure it offers something valuable from start to finish, Feal has also got plenty of that. If you want a good amount of variety, Feal is where you should be headed.
One of the many experimental three-track records from Bernhard Living, From Here to There is yet another exploration of tonality and thought.
