This calmly floating and sentient spacious journey explores the boundary between the intangible and the earthly components.
Reviews
2methyl :: The Breach (Self Released)
The sound artist slightly abandons the downbeat and avid IDM tendency of his musical textures to embellish his style of eerily fixated droning motifs and densely layered patterns.
ASC :: Original Soundtrack (A Strangely Isolated Place)
While much piano-based music can tend towards the precious, laying over the listener an insipid blanket of saccharine sadness, or blithe brightness, ASC’s OST strikes a nicely poised ambiguity…
Steve Peters :: With My Back to the World (Self Released)
Ambient, gentle, and dreamy instrumental compositions commissioned for the original soundtrack to Agnes Martin: With My Back to the World, a documentary about the iconic abstract painter (1912-2004)…
SMPL SMPL :: Questions (Play4n4)
A powerful collection of benchmark electronics with its peaks and valleys in constant flux.
Jawhinge :: Jawhinge (Mahorka)
A proverbial smorgasbord of abstract electronic nuggets that transform into many digestible sizes and shapes.
Fleck E.S.C. :: Walking Free EP (Woodwork)
Rhythmic funk and drum machines gone rampant, Fleck E.S.C. delivers a perfectly compact EP to keep us cool enough not to notice the blistering summer heatwave.
Lobie :: Cosa (Point Source Electronic Arts)
It goes without question that Cosa is a fully-formed and beat-infested swarm, etching a bricolage of musical pathways.
Solypsis :: Adversarial (Component)
The mangled industrial-techno distortions that Solypsis possesses are simply astounding as he creates vast, fluctuating, and corrosive pieces.
MOY :: MASA 004 (Masa Series)
A generous glut of genres is gloriously combined to create a sound that is sculpted with serious skill and unique talent for a record that will take pole position on the turntable.
4T Thieves :: Fragment (Self Released)
A spellbinding collection that spins its mystical fabric of fragmented miniatures as far as the eye and mind can see and imagine.

















