Elephant have secured two of the modern atmospherics masters. Martin looks gazes skyward before fixing his eyes on the land below. Valanx focuses of the […]
Author: Robbie Geoghegan
Leonid :: Midas (Photic Fields)
Rather than an outright explosion of fervor, Leonid ponders before adding the next shade to his sound—methodically he constructs, positioning accompaniments before the true form […]
V/A :: Electric Voice II (Electric Voice)
Canada’s Electric Voice is gathering a head of steam. A new album from Xeno and Oaklander is in the pipeline but first a follow-up to […]
Alessandro Parisi :: Hic Sunt Leones (Minimal Rome)
Involving works of immersive electronics, tracks with nods to past genres and masters with a sinister sonorous twist. Alessandro Parisi has gone from an unnoticeable […]
PSYCHIC MALMÖ :: Swedish synthesizer soothsayers
Psychic Malmö is a label that crosses the divide between acoustic and electric, and the boundaries of the label. The scourge of Sweden continues. Scandanavia […]
Aleks Jurczyk :: Brutal Britain (Elephant)
Live samples of birdsong and street noise lighten the mood, allowing the human aspect to enter the constructs of reinforced concrete. Through the grating and […]
YOU. / SGNLS :: Double review (Blind Prophet)
Blind Prophet continues to explore some extremely interesting sounds. Toeing the lines between acoustic and electronic, the barroom and back alley basement, Blind Prophet consistently […]
Q4U :: Q1 Deluxe Edition 1980-1983 (Dark Entries)
Darkened sounds from an island of long winters and encroaching gloom. After a short pressing plant delay Dark Entries final entry in their women of […]
Stefan Blomeier :: Unexpected Journey (Lux Rec)
Unexpected Journey melts House structures, Blomeier utilising the mechanics of the sound as a canvas for his lucid abstractions. A bold and beyond the dancefloor 12” […]
Kloot Per W :: Playback With A Switch… (Walhalla)
Kloot Per W explores with a sense of musical adventure, investigating a series of styles across his career. In parts the album descends into farce, […]
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