Experimental Electronic Music
Granada was once the cosmopolitan capital of Al Andalus, a confluence of cultures, identities, and ideas that blossomed under an ancient sun. Today, the city still radiates an unmistakable energy. Thanks to Cosmic Tribe, Granada also resonates with a soundtrack that cultivates local artists while embracing global talent.
For our fourth booth link-up with Asturian selector Mora and a first-time session with Mexico’s Dani Wais, we recorded a two-hour, genre-spanning b2b2b live at Radio Relativa.
In Place of Language is a truly exciting record. In a time where much of electronic music harks back to the past, two trailblazers have combined to produce an EP that is firmly set on the future.
Across these six tracks, Clear Memory once again demonstrates how far its sound has travelled. The music may sit within the broad canon of electro, but the label continues to reshape and rewire the colder edges of the machine.
Once hard to make and harder to find, acid techno’s raw communal spirit is revived in Acid Trip, a deep-dig compilation that reconnects today’s algorithm-lost listeners with the fierce underground legacy of Djax-Up-Beats.
As 2026 begins, we return to our now six-year ritual at Igloo—bending time slightly to celebrate the finest albums of the past year, from 2025 standouts on labels like Warp Records and Clone to reissues and timeless cuts by Aphex Twin and The Sabres of Paradise, all fueling our tradition with renewed magic and momentum.
Mike Paradinas’ 1979 is a transportive ambient-IDM memoir, mapping Madrid’s outskirts and his own musical past into a quietly radiant double LP for Lapsus’ Balmat imprint.
In the early ’90s, a barely twenty-something Richard D. James was already warping rave culture from the inside out—releasing visionary records across multiple aliases, founding labels, and laying foundations that still rumble through electronic music more than three decades later.
This month we present a powerful two-hour excerpt from a four-hour session recorded with my friend and outstanding musician Paul Smith—aka Leonid—captured live at Nuevo Montacargas, showcasing his signature blend of acid ambient, bleep, electro, house, and techno from the softer edges of each genre.
Every day is Halloween for Dressel Amorosi, the Italian duo who carve their stories in synthesizers and basslines as if scoring a never-ending slasher film. Now they return from the shadows, sharpening their sonic blades for House of the Dolls, a chilling sequel to their cult 2018 soundtrack Deathmetha.
Eoism are riding a purple patch of creativity, their recent releases and live explorations signaling a period of peak productivity. Arriving on this crest, Cellarworx II channels hours of experimentation into a tightly honed, forward-thinking EP that pushes their sound into new, electrifying territories.
![Weldroid :: The Peripheral (2026) (Self Released) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/04/weldroid-the-peripheral_feat-75x75.jpg)
![Boards of Canada :: Inferno (Warp) — [Hypothesis]](https://igloomag.com/wp/wp-content/uploads/2026/04/boards-of-canada-inferno-hexagon_feat-75x75.jpg)
