Hakobune’s musical signatures operates a cross between discrete soundscape and process music, freely floating and structured around electronic devices. A restful soundscaping reverie Takahiro Yorifuji […]
Author: Philippe Blache
Andrea Marutti :: Double review (Taâlem)
Both albums offer a dynamic range of processed concrète sounds—ambient miniatures made of slippery tones. Abnormal mind expanding landscapes Andrea Marutti is one pioneering sound […]
Nimh & Rapoon :: Post-Folk Lore Vol.1 (Winter-Light)
Easily recommended for passionate listeners of uncompromising experimental music with an ambient flavor. Blissful ambient sceneries, droning minimalism, and musical mysticism This experimental venture and […]
HLER :: LGM-1 (Self Released)
Constantly threatening and burgeoning, there are hints of extra-sensory projections. Nothing mellow here. It gives a large space to tiny incremental directions and micro-tonal gestures. […]
Dead Melodies :: The Masterplan (Cryo Chamber)
Sentient soundscapes are mainly built around evanescent drones, filtered bass frequencies, naturally waving undulations, occasional discreet electronic pulses, and processed micro sounds to give the […]
AJNA :: Oracular (Cyclic Law)
The album progressively goes into a black maelstrom of desolate, creeped-out, and ghostly-like atmospheres as well as rich and emotional apexes. Power noise industrialism with […]
Francesco Giannico :: Destroyed By Madness (Unknown Tone)
The delicate, suggestively cinematic and ambient-like aura of Giannico’s music easily fit the microgenres and stylistic belonging of this label whose objective is to promote […]
Spheric :: Music For Laboratories (St.An.Da.)
The multi-instrumentalist Orlando Lostumbo is initially trained in free-form jazz music, thus this album contains substantial jazzy elements melted with glowing electronic-inflected textures. An original […]
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