Experimental Electronic Music
The whole album hints at a long, gently unwinding story featuring natural expectant essences, but often with a certain melancholy just within the sphere of feelings. Calming sequences are ever present, often interspersed with fundamental elements of sedate joy.
The title speaks to loss and transition, grief and new horizons, confusion and transitions, with each piece consisting of a broad range of instrumentation, ambient environments and connective aesthetics.
Taking us to a simpler time, a place where comfort and familiarity reside—the nostalgia of distant memories, sounds, and feelings keep our minds tuned as 4T Thieves continues to extract swirling synthesizer strains.
The broken pitter-patter beats and downtempo foray through wandering synths only seek to further encrust clocolan’s ability to shift us into familiar BoC dimensions.
Where bass, beats and smoldering dark ambient modular activity crunches data into pixelized cinematic warfare, CRT delivers an impacted and multifaceted 9-track explosion.
The notions of psychic change and individuation processes are central and beautifully interpreted in vaporous and subliminal soundscapes which play with incremental progression, movement, motion and pattern.
Perhaps a magnum opus, this aptly titled EP delivers highly saturated synthesizer electronica and kaleidoscope harmonies capturing the spirit of the past while etching a futuristic sonic pathway.
Their eponymous EP on Serendip Lab is a powerful mix of the Santeria via Saturn Miami bass power techno of Otto von Schirach and the IDM, mystique-concrete stylings of the mysterious Thomas Denis.
Just below its petrified experimental shell is a groove that simply obliterates sound space and captures these ears once again.
A rewarding listening experience that while remixed by a variety of the finest sound sculptors on the planet, is also curated with utmost attention to detail and shapes a new storyline.
Electronic music lost some of its soul when artists began to put themselves front and centre ahead of the music. DiN lets the music speak for itself and what a wonderful ‘language’ it is to listen to.
