This mysteriously cinematic ambient body of slowly moving pieces is mentally transportive and representative of a contemplative journey in unknown vastness and in the depth of the subconsciousness.
Tag: Soundscape
Massimo Pupillo :: Our Forgotten Ancestors (Glacial Movements)
This new offering reveals a collection of deeply soothing soundscapes and slippery textures based on sustained and dynamic drones and chords—a thrilling and minimal ambient release of sorrowing introspective solemnity.
Gdanian :: Mechanical Gods (Cryo Chamber)
Of all the terrifying monsters that space exploration has brought to humankind, what we do to our own species is by far the greatest horror. We have a dark bloody habit of taking vengeance on our own kind.
V/A :: Artist Showcase – 4th Edition (Point Source Electronic Arts)
The Artist Showcase series offers a community of like-minded sonic sculptors a platform to present their enigmatic but perplexing structures for the world to interpret.
3View :: Polar Seas (Jeannine Schulz, Andrew Heath & Anne Chris Bakker, IKSRE & Anthén)
Based in Toronto, Polar Seas is one indie label which stands among the best in the panorama of modern avantgarde-micro tonal ambient music.
‘t Geruis :: Terre, Poussière (Quiet Details)
Behind ’t Gerius is Belgian sound-wrangler, Daniel, who’s hit on a hermetic audioworld at once delicate and distorted, refined and uncouth; sound seen as if through a glass blurrily, yet sharply—alive with microsound like a fungi forest close-up.
Infinite Scale :: Solo Flight (Self Released)
A serene collection of loosely layered electronica and exquisitely choreographed instrumentals with a few interwoven vocals to balance everything out.
Drifting In Silence & EJRM :: “As You Drift Away” — Video premiere
The added influence from EJRM infuses new depth to the already sonically rich and textured soundscape, expanding the boundaries of Drifting In Silence’s quintessential tranquility
V/A :: Tomb of Primordials (Cryo Chamber)
The temple here is made of plano-convex mudbrick, not fixed with mortar or cement, so that the spirits of the dead (etimmu) can seek absolution for their unknown sins, or find resolution of the idea that one can transgress a divine prohibition without knowing it.
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