Compared to Grischa Lichtenberger’s previous efforts, 1224_28_lv_1_re obliteration—released by South Korean label dingn\dents at the extreme tail end of 2024—leans even further into the digital noise side of glitch.
Tag: Noise
P.ST :: The Noise Fields (Silent)
The four fields of noise on this album connect different points in deep time to an essential temporal unity in a carnival of whirling chaos whose sound is as powerful as any cyclone or vortex. It can suck you in, and through its portal, transport your mind into another world of consciousness.
Rontronik :: Zero Nine (Tygr Rawwk Rcrds)
Rontronik’s taste for noisy textures and atmospheric shines on Zero Nine. Although in terms of composition, the album runs smoothly, its production is solid enough to demonstrate a good sense of timbre, and the sound palette he chooses to highlight is astounding.
Irkya :: night flowers EP (Wormhole World)
This EP, which is ultimately calming, contemplative, and spot-on in its sonic approach, is a prelude to an album that we’re pretty excited to hear will (also) be released on Wormhole World in February 2025.
Frans de Waard :: America’s Greatest Noise (Korm Plastics)
America’s Greatest Noise: About RRRecords, Emil Beaulieau, and the True Sound of Love by Frans Da Waard (Korm Plastics). The focus is centered on the noise scene in the United States, as might be expected for a book about America’s greatest living noise artist.
Tonik Ensemble :: Music Is Mass (Touched Music)
The atmosphere herein simply spills over non-existent—perhaps even floating—boundaries with a surplus of instrumental virtuosity, roughened textures, and vaporous brittle tones that time shift and alter before our own eyes.
V/A :: IDMf Retrospective Vol. 5 (Glitchpulse)
This closing retrospective explores a dozen sculpted electronic textures and tones, where rhythmic audio structures collide and collapse, crumple and fold, as the Australian label shifts into the forward-thinking Glitchpulse Records outfit.
V/A :: Sampler IV (Facade Electronics)
Northern Mexico’s Facade Electronics’ annual compilation titled Sampler IV (aka Sampler IV. Present and future. Facade Electronics 2020-2025) shifts into their fourth of the series, representing fourteen tracks that spark and shimmer at all the right angles.
Jacek Doroszenko :: Identity Values (Audiobulb)
Where atmospheric waves coalesce, drifting sonic ice-sheets scrape up against each other as Identity Values subtly gains momentum while aligning with Audiobulb’s extensive Rolodex of abstract sound sculptors.
Nerthus :: The Path of the Elder Ones (Eighth Tower)
Clashing noises, odd scintillations, cavernous echoes, and granular moves insidiously come to the fore to enthrall or ravish the listener in an intoxicated and poisoned tellurian or subterranean ambiguousness.
Rubbish Music :: The 750-kilogram snake of destruction fatberg (Flaming Pines)
At thirty-nine minutes, abstract dark drones and punctuated slices of musique concrète flicker across densely layered clicks and disheveled echoes.
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F~M :: Fose (Old Technology) — [concise]
Poladroïd :: Accelerate EP (Roulette Rekordz / Selvamancer)
2View — memorysound/Fading Bright & Spectrical/Litchfield (Perceptual Tapes)
Vera V Almgren :: I Det Vassa Ljuset (Istid)
iNFO :: Sorry I Didn’t Realize (Touched Music)
V/A :: ZEROTHREE EP (Black Shapes)
Janus Rasmussen :: INERT (Embassy One)
