My initial overall impression of Welcome To The End Game is that this is a very worthy follow up to earlier releases. We are greeted with all of the hallmarks of RoW including their fractured beats, evocative and emotional synth lines…
Tag: Modular
Parallel Worlds :: Reflections (Móatún 7)
What I hear is existing simultaneously, a pattern is gathered and then begins cycling, with improvisations with how the pattern is expressed, trading solo jams within the marching machine cadence.
Eden Grey :: Int-Interred (EC Underground)
Int-Interred is a baffling and murky electronic smorgasbord showcasing artistic range and cultivating unique, if not moody, arrangements.
Monoiz :: Percussion Proximity (Detroit Underground)
Percussion Proximity is a fluid listening experience with uniquely static-infested substructures with clinical precision.
Surface 10 :: A Stray Ending (DiN)
De Benedictis has always resisted the lure of ancient genre sirens—be they Berlin School graduates, post-Eno acolytes, or hirsute New Agers—instead adopting a unique, individualist strategem where such recognizable elements are but kaleidoscopic effluvium…
Dub Tractor :: Wait (Touched Music)
It’s really great to see and hear Touched Music giving some of these artists another new home, and whilst it’s part of a ten year anniversary and bringing back feelings and artists I had love for more 20 years ago when I was first discovering them.
Bart Hawkins :: Entering the Axis Mundi (Spotted Peccary Music)
A circle begins and ultimately returns to the start, and you have gained all of the experience of the textures, and silence, sparking a spiritual awakening into the power of sound of the journey around the forms.
Bart Hawkins :: Bell’s Theorem (Self Released)
Hawkins elicits increasing clearly defined tones from his modular synth, with bright ambience and traces of an improvisatory concert of lofty circles in the air, like entangled particles dancing in their contemplative and transcendent harmonic existence.