One of the many experimental three-track records from Bernhard Living, From Here to There is yet another exploration of tonality and thought.
Tag: Minimal
Ümlaut :: The Black Square (Self Released)
These memory-recordings expose the complex relationship between music and silence. They say that the ambient umbrella constantly expands the notions of what music might be. The Black Square could be wordless new ear poetry for the constant listener. I think that The Black Square might be a series of sound situations that flow and change as they go.
Japanese ambient music :: Minimal environment and zen-inspired sonic sculptures
Through multiple evolutions along decades, with a refined combination of harmonies, a deep sense of space, a phenomenology of time and bright sonic manipulations based on acoustic timbres, Japanese artists invite the listener to enlightened and intuitive inner promenades.
REVANT :: MOSS EP (Self Released)
MOSS provides a gripping and thoughtful listen. Mellow, ambient, relaxing and electroacoustic—hopefully there is more to come from the Mumbai, India-based musician.
Anders Ilar :: Tallinn Acid Tracks EP (Acid Lathe)
Produced by Anders Ilar in 2015 while in Estonia, Tallinn Acid Tracks is out now via Acid Lathe—an experimental sub-label of Yard Rec—on a limited edition 4-track clear square 8” vinyl made individually on a lathe cutting machine.
Francisco Sonur :: Blurred Cities (Móatún 7)
Blurred Cities presents an engaging and brilliant sound excursion, crafting poignant pieces with a slight departure from his usual sorrowful dusty neoclassical ambient in favor of more hypnotic and discreetly beat-laden ambient chills.
Mono Hideout :: Visions EP (Adventurous Music)
A pleasantly relaxed transmission of minimalist, nearly imperceptible soundtracks from Mono Hideout’s Visions EP for Adventurous Music ignites something extraordinary and surreal.
Jo Johnson :: Let Go Your Fear (Castles In Space)
The merge between synthesizers and the ethereal new age do make up for an interesting combination, one that always remains comfortable throughout the album; when they’re there, the arpeggiated synths give an interesting edge to the compositions, making them a bit more corpulent.
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