Experimental Electronic Music
Every day is Halloween for Dressel Amorosi, the Italian duo who carve their stories in synthesizers and basslines as if scoring a never-ending slasher film. Now they return from the shadows, sharpening their sonic blades for House of the Dolls, a chilling sequel to their cult 2018 soundtrack Deathmetha.
Across five original tracks and six transformative remixes, Fedoseev’s deep-rooted love for live performance radiates. Here, performance becomes communion—an unspoken language etched in shimmering soundscapes.
Their words pull no punches, they are fired with conviction and intent. Softening this directness is the composition of their songs, the rich instrumentation smoothing corners without diluting the message. An accomplished album from a political and polyphonic partnership.
In fairness, italo should not belong to such a list. True, this synth pop, born in Italy around 1980, has some chequered names under its […]
生命还存在意义吗? has an inherent sense of fun to it. Honeyed colors stand out against the murkier tones and dancefloor sweat, dashes of tongue in cheek […]
So 2018 is upon us. Resolutions are in. Hope is out, almost. Chris and Robbie have come together to bring a ray of musical sunshine […]
De-De-Mo are part of the golden age of the Rimini sound and it’s fantastic to see them find a new audience. I’m curious to see, […]
After a range of releases in 2014 Josh Cheon is increasing Spaghetti Dance output of his pioneering imprint with not one but three reissues from […]
The gamut that encompassed this strange breed of synth pop is showcased, isolated wave, candy coated romance and dancefloor machine music. And for the purists […]
An eloquent collection of devouringly emotional-colorful tunes that frequently invokes a comprehensible combination between new wave pop climax and instrumental textured electronic variations. Always part […]
