These eight tracks, ranging from the mid-90s IDM boom to today’s high-level production qualities, use lost time capsules and sophisticated synth-techno fissures to create detailed sonic shadows and throbbing breaks, bass, and broken beats.
Tag: IDM
2View — f5point6 :: A Random Sequence of Events & Rhombus Index :: hycean (See Blue Audio)
Both records express what has been built up to in previous outings from these artists, and they may as well be the culmination for both for now; unless there’s even more coming out this year, at which point I’d have to see which way the wind will be blowing in future releases.
Pearl River Sound :: You have to love yourself a fire (Evel)
You have to love yourself a fire surrounds itself by a plethora of abrupt breaks and distorted electro-nics; going on several tangents with low-flowing synth sections complemented by precision audio plateaus.
Kettel & Secede :: When Can (Deluxe Edition) (Lapsus, Perennial Series)
And so we come to When Can, the strangely enigmatic and oft-overlooked collaboration between Kettel and the equally elusive Secede. I’ll admit to being as surprised as I was delighted when Lapsus announced its reissue as a deluxe vinyl edition because it’s an album I adore, so much so this is now the third time I’ve written about it.
Farron :: Feal (Shaw Cuts)
If you’re in the mood for good modern IDM, Feal has got plenty. More specifically, if you want to put on a record and be sure it offers something valuable from start to finish, Feal has also got plenty of that. If you want a good amount of variety, Feal is where you should be headed.
Pentagrams Of Discordia :: Teleportation to Gliese12b (Sounds Of Discordia)
Fluttering beats dissolve within ambient ice sheets, blurred samples, found sounds, and expressive atmospheric shadows that lurk in the background, encapsulating the entire cosmos in a drifting musical mashup.
Nuron :: DAT Tapes Vol 02 (De:tuned)
Interestingly, DAT Tapes Vol 02 casts light on a style that Jusat is not known for. There are moments of his trademark techno, but it is a more floor centric house that is at the heart of the record. The depth of previous productions is less evident, the explorations on offer being more rhythmic than melodic.
WE FORFEIT :: Radio Relativa #44
Our celebration, a devil-may-care romp in the aural delights of the machines, opens with some recent beauts from Gated before dipping into acid, breakbeat, electro and techno with records from Amenthia, Betonkust, Gated Recordings, Klasse Wrecks and heaps more.
Fallen :: Fragments (Móatún 7)
Fragments is a very nice loop-based, drifty ambient album. Some classical sounds appear, such as guitar and piano, and they often evoke very traditionally human themes. The release is well mixed and mastered, and concern was clearly given to each composition.
V/A :: XVIII (Acroplane)
A powerful amalgamation detailing Acroplane’s musical trajectory as they continue to scrape deep and jagged fissures into the terrain year after year.
Yaporigami :: AE–10 EP (Adepta Editions)
On this two-tracker for Adepta Editions, Yaporigami (aka Yu Miyashita), a master sound sculptor, wraps distressed melodic landscapes with such strongly engulfing electronic structures that decompose before our very eyes.
Recent Posts
Gigi Masin :: Movement (Sacred Bones)
Lusine :: Melting Days (Ghostly International)
Pentagrams Of Discordia :: Whispers About Radiance (Sampler)
Tricky :: Different When It’s Silent (False Idols)
Myoptik :: Ectospasm (Zoku – Zoku)
Potato.exe :: ERR_SESSION VOL.1 (Clean Error)
Serge Geyzel :: Stay. EP (Self Released)
Luca Young :: Infinite Lovers, Pt. I (Lōʻihi)
