Experimental Electronic Music
Fragmented error sync by Celine Arnauld (aka Pablo Miranda) is a gripping dive into glitch-laced braindance, where fractured rhythms and abrasive textures collide. Across thirteen tracks, Miranda fuses chaos and precision, crafting dense, hypnotic sequences from shattered sound. It’s a meticulously detailed journey through digital decay—jagged, raw, and irresistibly magnetic.
After years exploring ambient stillness and shadowy textures, Deru—aka Benjamin Wynn—returns with rhythm tapes, a raw, genre-blurring mixtape of ten glitchy, percussive tracks. Fusing early IDM spirit with modern grit, it’s a rhythmic reinvention where chaos and control collide. A new chapter, sharper and louder.
On a curious doubling of terms, Seth Thorn weaves a serene tapestry of ambient electronics and modular textures. Combining bowed strings, granular synthesis, and hushed rhythms, he crafts nine intimate pieces where silence, shimmer, and circuitry intertwine in delicate motion and mood.
Braulio Lam’s latest on Facade Electronics dives into the quiet intensity of analog sound, where ambient textures, glitch rhythms, and minimalist tones unfold with meditative precision. Across ten tracks, he crafts a stark yet emotive landscape—marked by dub echoes, digital decay, and restrained beauty—inviting reflection through the subtle interplay of noise, silence, and structure.
Eoism – Live is a 60-minute surge of raw electro, recorded in Jena (April 2024). Blending acid, breaks, and techno on Korg Electribes, the duo delivers bass-heavy grooves, glitchy textures, and futuristic intensity—a sharp, mechanical journey through abstract electro and rhythmic experimentation.
Kurt Gluck, aka Submerged, unleashes a raw, unflinching statement in Reparations Collected In Flesh—a cathartic journey through personal struggle and resilience. With relentless industrial noise, distorted rhythms, and fractured beats, he crafts a brutal yet focused soundscape. Each glitch and crash tells a story, turning chaos into a powerful form of expression.
As if guided by a presence at the universe’s edge, subtle clicks and glitches punctuate Post Ambient Lux—ephemeral and elusive, slipping away into sonic haze. Sparse yet evolving, these elements reflect shifting light patterns that draw listeners into the work’s unique allure.
More labyrinth than narrative, Front drifts through abstract circuitry and tonal detours, its disjointed flow less a flaw than an intent—a transmission of controlled chaos.
Tom Hall presents Trip Computer album launch—a powerful new audiovisual performance marking two decades of exploration in experimental sound, systems, and synthesis. Featuring special guests r beny, Testu Collective, Amma Ateria, and Sharkiface, this event brought together boundary-pushing artists for an immersive night of sonic and visual experimentation.
Hasbeen’s HAVOC INTVL, released with Clean Error in July 2025, dives into glitchy braindance with shimmering bleeps and fragmented pulses. Each track unfolds as a distinct, cryptic phase, blending mechanized dissonance and delicate melodies into a cohesive, abstract sonic journey.
