Anache plays a lot with each sound he introduces, and instead of striving for some insane out-of-this world timbres like you may sometimes hear in guitar-driven electroacoustics, he focuses more on building with the more subtle tones he’s creating. Layering and constant variation make this a worthwhile LP for fans of atonal electronic music.
Tag: Generative
nnirror :: destory (Evel)
Music like this makes the difference between production and artistic creation clear: in this sense, the generative substrate underlying these tracks is a starting point, a bedrock of naturally occurring variation that nnirror cherry-picks and spotlights with arrangements pushing the limits of complexity.
2View — f5point6 :: A Random Sequence of Events & Rhombus Index :: hycean (See Blue Audio)
Both records express what has been built up to in previous outings from these artists, and they may as well be the culmination for both for now; unless there’s even more coming out this year, at which point I’d have to see which way the wind will be blowing in future releases.
Joseph Auer :: Shanghai Gateway (Rednetic)
A meditative album featuring tracks of ambient electronic loops that lull a listener into a state of relaxed awareness.
Steve Hadfield :: Donald Byrne vs Bobby Fischer 0-1 – The Game of the Century (1956), Generative Chess Music (Disintegration State)
Overall, Donald Byrne vs Bobby Fischer is a great release and very worth listening to. It is smart, entrancing, transcendent, glitchy, and reminds me more than a little bit of the great works of Brian Eno.
Keith Fullerton Whitman :: Presque Là (Self Released)
The use of the standard music trifecta of bass, drums, and melody does ground these pieces in the familiar, yet the way Keith Fullerton Whitman has broken these out of their mold means what he is doing is still risky and groundbreaking research.
Synthetic Ecology 2 :: Finding the edge, some thoughts about ‘experimental music’
Experimental music can mean many things—often tracks are beat-less or off-beat, atonal or noisy, or in some way either more or less dense than other genres. My point is not to establish orthodox genre boundaries.
Synthetic Ecology :: How the How Affected the What
“I (also) urge musicians to write using whatever means they choose and would suggest that means can affect results in a composition, but believe that some expression is possible using almost any means of musical creation.”
Sawako :: Stella Epoca (12k)
Eight years of fragile and amorphous memories form into layers of sounds intended to open the whole body to the celestial world.