Across eleven diverse movements, SICK STREET displays rhythmic elasticity, aural sculpting assembled from found sound, cellular technology, environmental residue, postcode mosaics, and a restless multiplicity of influence.
Tag: Field Recordings
Empusae & Maris Anguis :: Onryōtan (Cryo Chamber)
Empusae and Maris Anguis have crafted a fantastic album that rewards repeated listening and offers a welcome step toward a more spiritual and cultural focus for their label Cryo Chamber.
anthéne :: Air Signs (Dronarivm)
Air Signs rests at its distinct sound. Everything is pieced together very well, and all the noises, melodies, and synths are family—they all align track after track. Deschamps has a gift for cohesion. Even when he’s working with degraded loops, reversed recordings, and heavily processed guitar, nothing feels fragmented. Everything belongs.
The Heartwood Institute :: Plague Dogs (Folk Police Recordings)
Much music is steeped in the history of the place where it was made, and here Jonathan Sharp, the musician behind this project, trawls the borderlands of fiction, imagination, and the real places written about in the Plague Dogs where he went to collect sounds for the album.
Caldon Glover :: Bird Machine (Self Released)
Five tracks of somewhat dark atmospheric exposures, ranging from just over five minutes to almost eleven minutes in duration. Most of the action is perhaps within the realm of atmospheric drone arts but there are some shocking incidents that give an enlightening bump to the constant listener.
Everyday Dust :: Assemblance X Sessions (Dustopian Frequencies)
The sounds here are not just the contemporary musique concrète we’ve all come to know and love from Everyday Dust, but musique métaphysique. It’s earthy, its rooted, its physical powerful when blaring through the headphones or speakers and subwoofer, but it contains the ever necessary particles of dust that transport me to the otherworld every time I listen to music from this artist.
The Music Liberation Front Sweden :: Lost Hope Society (Subexotic)
Lost Hope Society doesn’t deal in easy optimism. Instead, it locates hope as a kind of underlying signal—constant, even when masked by noise. Like Midsommar, it uses brightness to reveal shadow, and in doing so, turns discomfort into clarity.
2View — memorysound/Fading Bright & Spectrical/Litchfield (Perceptual Tapes)
Taken together, Fading Bright and Litchfield reveal the emotional and conceptual breadth possible within contemporary ambient music when approached with sincerity and imagination. Both artists resist easy categorization or formulaic structures, choosing instead to create deeply immersive worlds shaped by texture, emotion, and atmosphere.
Vera V Almgren :: I Det Vassa Ljuset (Istid)
Mastered and recorded at Elektronmusikstudion (EMS) in Stockholm between 2024 and 2026, I Det Vassa Ljuset is based on close-miking of organic materials such as wood, metal, stone, and glass. These recordings have then been processed and transformed into software instruments that can be played live. Released on her own label Istid Records, I Det Vassa Ljuset is available digitally and on cassette.
SKSSS :: Exploraciones al Vacio (Aerial Sound)
Exploraciones Al Vacio works because it refuses to play nice. The field recordings, the layered textures, the deliberate pacing, it all adds up to something that feels purposeful rather than indulgent.
Ruben :: Chambers EP (Self Released)
What makes Chambers work is that it doesn’t feel like an experiment for the sake of it. The processing serves the music, not the other way around. It’s the kind of release that sneaks up on you, not flashy, but it sticks. By the time it’s over, you realize there’s more going on than you initially thought. This is a strong showing from Ruben, and for a limited run of 30 cassettes, it punches well above its weight.

















