Throughout Fluorescent Grey, the compositional identity is collective and porous. Leimer, Peters, and Barreca continue their project of dissolving ego in favor of ensemble synergy, crafting a shared auditory imagination where the boundaries between composer, performer, and listener collapse.
Tag: Experimental
Loscil :: Lake Fire (Kranky)
Lake Fire is not only a testament to Morgan’s artistic growth but also a powerful reflection on the ongoing dialogue between destruction and creation—an urgent reminder of our interconnected existence. It’s a profoundly dense and beautiful, contemplative work that offers both solace and insight in turbulent times.
Susana López :: Materia Vibrante (Elevator Bath)
What sets Materia Vibrante apart is how deeply it connects on both a sensory and emotional level. It’s the kind of album that doesn’t so much ask […]
V/A :: Planet Mu 30 (Planet Mu)
Through every granular texture and skewed rhythm, Planet Mu reaffirms its place as one of electronic music’s most vital and visionary institutions.
Transverse :: It’s Broken (Somewherecold)
Discarded elements of broken rhythms, volatile drones, and mechanized auditory collisions are hurled together in an anarchic cascade of aural experimentation. Yet from this rubble, something transcendent emerges.
Dadub :: How to Shoulder the Radiance of Revelations (Opal Tapes)
Though it navigates shadowy realms, How to Shoulder the Radiance of Revelations propels itself beyond time—a volatile meditation from some imagined ruin. Radiant in its disintegration, this is dub combusted and reassembled—glowing, feral, and spellbinding in the void.
Oberlin :: Ten More Dreamwebs (Self Released) — [concise]
Though built from machines, the soundworld pulses with something strangely tender, as if translated directly from a dream-state—cinematic, organic, and eerily intimate, flowing with a quiet, uncanny grace.
Lia Bosch :: Ever Expanding (13/Silentes)
There are no narrative lines or recognizable formal progressions; instead, what emerges is a constellation of minimal sonic events, arranged according to a non-linear logic, lacking both center and conclusion. In this evolving geography, sound behaves like living matter: it surfaces, withdraws, duplicates, never settling.
Sándor Vály :: Early Works 1988-1992 (Unexplained Sounds Group / New Polar Sound)
Easily recommended for lovers of dark industrial music and contemporary electronic art, as well as for readers interested in magical syncretism and the black arts.
Inude :: “Split” single from forthcoming album
“”Split” is a raw and sincere reflection on the fragility of love. It captures that bittersweet moment when you are trying so hard to hold on to something that is already slipping away. We wanted the song to feel like a vortex—intense, relentless—like being trapped in a loop you can’t get out of. It’s that space between the fear of losing someone and the desperate need to keep them close.”
Five questions with Jason van Wyk, and the release of Inherent on n5MD
To learn more about the process and inspiration behind this stunning new work, we asked Jason five questions—diving into his influences, creative approach, and the sonic evolution that led to Inherent.











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