Together, Pjusk and Sleep Orchestra evoke a chilly and endless, empty silence, broken only by wind whipping up new snow on the pack ice and the […]
Tag: Experimental
Multiview :: Daniel Thomas and Friends
Curator of two small, exciting imprints, Sheepscar Light Industrial and Cherry Row Recordings, Daniel Thomas‘ discography throbs with almost exponential growth. Here are a few […]
Objekt :: Flatland (PAN)
An intoxicating mess of patch cables and chiseled tonal activity that is well worth the price of admission. TJ Hertz (aka Objekt) debuts with PAN […]
Immundus :: Insomnia (Self-Released)
Navigating on darkened sounding textures, nightmare-ish and sometimes smoothly melodic ambiences which bring to light a corpus of brooding synthesized lines and moodily sentimental piano […]
Erik Wøllo & Bernhard Wöstheinrich :: Weltenuhr (DiN)
A sentimental, touching then experimental voyage through beautifully ethereal synthscaping sequences and punchy electronic grooves punctuated by delightful absorbing vocal parts. This massively spacey work […]
Lokom :: Sweet Home and Gasoline (Kaometry)
An engrossing and screeching cacophony of percussive annihilation for ear, mind and foot. Bridging the void between erratic drum’n bass and melodic/breakcore glitch, gaming elements […]
Poppy Ackroyd + Lumen :: Escapement Visualised (Denovali)
“A man should hear a little music, read a little poetry, and see a fine picture every day of his life, in order that worldly […]
Daedelus :: The Light Brigade (Brainfeeder)
Daedelus works in the fringes of genres, taking what works at the limits and pushing the boundaries just a bit more. What is the beat […]
Aphex Twin :: Syro (Warp)
While we wait for the earth shattering material, though, Syro is a nice reminder that the genius is alive and well. As an artist, Aphex […]
TAPE :: Transmissions 2
Ah. The humble cassette tape. For some it’s been consigned to the history books of defunct formats, for others it’s the medium of choice to […]
Francisco López :: Untitled#281 (Störung)
‘Field recordings are typically viewed and listened to as referential or simulative. My approach with environmental sound matter moves away from this representational perspective and […]








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