Experimental Electronic Music
On Bare Ground is a sculptural work blending its lo-fi with haunting melodies, field recordings, and ethereal soundscapes. Uncompromising in its approach, the album evokes the echoes of experimental music from a spectrum that ranges from dark bedroom pop to rhythmic noise, crafting a cloudy and dreamlike atmosphere.
In this tantalizing and aptly-titled release, several disintegrated sparks coalesce amid unique auditory aberrations.
A mélange of diverse genres and multidirectional sounds competing for their own unique expansions. As a thorough collection of the artist’s sonic movements, The tower undoubtedly flows at its own pace.
These perplexing sound sculptures are painstakingly designed with expressive layers to suggest a sense of uniform chaos; often broken, battered, and blistered to no end. But on the outskirts, we hear (and see) VAAG seamlessly twisting extraterrestrial glitch fabrics on Twenty Two like an experienced tailor.
An ethereal ambient record that incorporates live instrumentation as well, more notably in the form of orchestral accompaniments with guitar workouts splattered throughout—and some occasional vocals too.
Phokusd is a concentrated collection of smothered audio works detailing some of the finest experimental electronic music that doesn’t overstay its welcome and constantly exudes top-notch production values front to back.
Atmospheric post-rock guitar and drumming that teeters between jazz and rock combine to form a record that sounds exactly like you would imagine the two to sound like when put together, with good chemistry to make it all work as well as it does.
Considering the density of each piece, The lady from New York is a surreal, disjointed, yet perplexing album that merits repeated listening to even begin scratching its multi-layered surfaces.
