Final Form is the realization of OISATSANA’s gently crumpled soundscapes, accompanied by the granular crunch of electrical signals glitching in tandem.
Tag: Experimental
David Morley :: Fashion (De:tuned)
Organ groans call forth earthen percussion, dripping clanks and clods of drum soon shed of their organic trappings as industrial tones begin to dominate.
Demetrio Cecchitelli :: Jump (Dronarivm)
A refined and subtle microtonal ambient work with alluring and playful instants of beauty and floating glimmers.
Belong :: Realistic IX (Kranky)
Belong’s return with Realistix IX is quite a success. They improve significantly on where they had left off and also make use of their noisy aesthetics, combining the two into a satisfying sonic collection.
Fennesz :: Venice 20 – 20th Anniversary Edition (Touch)
Venice is an album that continues to work extremely well, even after 20 years. The combination of lighter-sounding loops with sounds that are more distorted results in a complexity of tone and texture as this remastered version emphasizes.
Maes Y Circles :: Maes Y Circles (GOTO)
Maes Y Circles’ self-titled album is a solid work with some great tracks. Audio technology is showcased, but because the sounds are of a vintage quality hearkening back to musicians such as Tangerine Dream and Vangelis.
clocolan :: Monday Kid (Redpan)
clocolan’s soundscapes are encapsulated by a multitude of spectral tones and drones, while dreamy, textured layers present an uneven yet well-balanced veneer.
Zságer Balázs :: Aqua Obscura (Free Sequence)
Built over long soundscapes, noisy field recordings and hypnotizing harmonic clusters, Aqua Obscura completely takes over our attention, swimming on a magical journey that directly touches our inner consciousness.