Experimental Electronic Music
De Benedictis has always resisted the lure of ancient genre sirens—be they Berlin School graduates, post-Eno acolytes, or hirsute New Agers—instead adopting a unique, individualist strategem where such recognizable elements are but kaleidoscopic effluvium…
Both New Era and Adamha will be welcome news to anyone who has followed Marco Repetto. To the newcomer, each 12” illustrated the Italian’s enviable ability to melt genre boundaries and reach exciting new ideas.
What a detailed story Thlostones is; drawing from classic soundscapes and inspiration that artists like Sean Deason, B12, and The Detroit Escalator Company ignited in the early days.
These sound-art pieces express themselves via synthesizers and beautiful noise boxes, and yet they feel human and organic at the same time.
As we drift downstream, the bliss only continues, and makes it harder to fathom how such a coherent and beautifully flowing album can come along and feel like an old friend from the first listen.
Cyd encompasses a wide-ranging musical style that ebbs and flows into abstract and delicate forms to more abrupt bass-infused IDM morsels.
Sliced, diced and often flickering musical fragments almost coalesce in a stream of data flows only to be sideswiped by constantly shifting pitter-patter beats and shuffling ambient patterns that seem invisible.
It’s really great to see and hear Touched Music giving some of these artists another new home, and whilst it’s part of a ten year anniversary and bringing back feelings and artists I had love for more 20 years ago when I was first discovering them.
Francois Dillinger’s overarching ability to redefine electro-nics is astounding and -40.715921 is a workout on the ears and body. Delivering next-level sonic transmissions from a distant galaxy…
