Christian and Roland Dormon arrive to Atlanta-based Clean Error Records for their latest release as Multiplex, and their labelmates give them a welcome-to-the-neighborhood basket brimming with solid remixes.
Tag: Electronica
Caural :: Aura (Prism92)
Aura leans more toward the hip-hop beat era than straight IDM, experimental in spirit, with enough left-field nuance that it resists being filed simply as instrumental hip-hop. It’s a document of a producer figuring out his own DNA in real time, two decades before anyone thought to look back and call it influential.
Bitbasic :: The Cosmological Constant (Glitchpulse)
As The Cosmological Constant opens up slow in its intended listening session, Bitbasic’s approach becomes clear, he plays games with the listener, toying with genre, pulling from IDM, glitch, trip-hop, and jazz without settling into any one space.
rheom :: _ 729.root (Polygon Network)
_729.root functions less as compositions in the conventional sense and more as active scaffolding for expression—temporary sonic architectures that think through signal, texture, and constraint, that lead the artists rather than being led by them.
Yu Miyashita / Yaporigami :: IDM Collection 21-25 / The Structure of Silence (The Collection Artaud)
The 23 tracks that make up IDM Collection 21-25 / The Structure of Silence create a sonic fortress of shadow and light, featuring many rooms with complex infrastructure and sharp angles. There are geometric rhythms throughout, like gears that wind up, dismantle and reconfigure themselves, warmed by vapors of tone that slip through the cracks. As a sound designer and producer, Miyashita displays a masterful understanding of space.
Morphtables :: Absurdance (Mestnost)
Morphtables balances precise braindance programming with technoid structures, shaping a downtempo melodic pull where fractured breaks and electronic details settle into a distinctly IDM framework.
Vijunns :: 1991 (Hyperreal Projects)
This release is excellent on its own, but with so little material, it almost feels like something you’d listen to in anticipation of the next Vijunns release. Given how great the music on 1991 is, I certainly hope there’s more to come soon.
S. Salter :: Ara EP (Plusha)
Ara is a three-track 8-minute mini-EP that spans a wide emotional and sonic range across three compositions, illustrating S. Salter’s evolving language of composition, which is detailed, emotive, and increasingly expansive in scope.
Marconi Union :: Multiforms: Ambient Transmissions, Volume 3 (Just Music)
Marconi Union seems to have removed weight from everything, allowing only the emotional core of the materials to filter through: soft drones, slowly shifting harmonies, reverbs opening like irises, barely hinted pulses, melodic glimmers that surface and dissolve within the same breath.
2View — Jonas Munk/Manual :: True Bypass (Darla), Billow Observatory :: Resina EP (felte)
A decade and a half hiatus since his last (Awash, 2012) brings new skin for the old ceremony with True Bypass on familiar ground yet with a sense of refresh.
Like Manual, Billow Observatory purveys work of delicacy and poise, and Resina is never less than engaging, frequently compelling.
David A. Jaycock :: Children of the Cold War [Phase 7] (Subexotic)
This is not merely an album about pessimism, collapse, paranoia, or sepia memories. It is an expertly crafted and beautifully sustained paean to the enduring presence of the motion of Goodness—often obscured, often wounded, not-for-profit, but somehow still capable of outliving every system designed to extinguish it. A balm for balmy days and long dark nights of the soul.

















