Under blankets of mostly improvised evolving loops of piano and baritone guitar can be heard muffled specters of working life, implying nature will come for everything and eventually hide the scars.
Tag: Electronica
VAAG :: Twenty Two (Point Source Electronic Arts)
These perplexing sound sculptures are painstakingly designed with expressive layers to suggest a sense of uniform chaos; often broken, battered, and blistered to no end. But on the outskirts, we hear (and see) VAAG seamlessly twisting extraterrestrial glitch fabrics on Twenty Two like an experienced tailor.
Inkipak :: Phokusd (Inkitrax)
Phokusd is a concentrated collection of smothered audio works detailing some of the finest experimental electronic music that doesn’t overstay its welcome and constantly exudes top-notch production values front to back.
WE FORFEIT :: Radio Relativa #45 — Mixtape, Featherstone
Through our shows, interviews and mixes, we’ve tried to present electronics with a difference, electronics that make a difference. To the snowy peaks of Canada with Solvent, to the dusty plains of Almería with Mynationshit, our objective is giving a greater audience to what is already great. This month is no exception.
Macrogramma :: Magnetic Series (Lᴏɴᴛᴀɴᴏ Series)
For Macrogramma, the medium evidently brings with it, more than nostalgia’s facile allure, in contrast to digital’s infinite possibility, an intransigence forcing definitive choices.
2View :: Sounding Boards — Skytree, Zachary Gray
There’s red line, thin, but distinct, between different kinds of sounding—between soundalike and sound like, resemblance and redolence, imitation and influence; thus, though sometimes end products may sound similar, in essence they differ crucially.
mmWave :: Temperamental Circuits EP (Self Released)
The EP hits hard with powerful rhythms and saturated melodic bursts, accompanied by roughened 808 sequences and atypical breaks and bass layers.
Druk Monet :: Something Foul EP (Glitchpulse)
Druk Monet, as a result, offers an unusual audible assortment—nothing particularly foul—that’s equal parts mechanical and organic, and all the while fascinating.