The 17th studio album by The Orb. I must say that’s an incredible trail of breadcrumbs. The trail leading to Abolition Of The Royal Familia. […]
Tag: Dub
The JDs :: The Texas Chain Store Manager (Pretension)
Drukman and Dangers work well together with hallmarks of each other’s work being present but melding in a way to create a nice new and […]
Scorn :: Café Mor (Ohm Resistance)
Café Mor, the latest full length from Scorn, shows a master at work—honing and developing his signature sound. The album is heavier on bass and […]
SHIT & SHINE :: NO NO NO NO (Ooh-Sounds)
NO NO NO NO is a short listen like a cheap high that will have you coming back again and again to chase its mysteries […]
In Rotation :: Multi-view (November 2019)
In rotation for the past several weeks/days, this multi-view reveals the latest sonic landscape from 15 talented musicians. Plenty of brittle, glitch, abstract, noisy, mechanical […]
Bluetech :: Holotrope (Behind The Sky Music)
Holotrope could very well be one of Bluetech’s most accessible albums to date. Variety in tempo, rhythm, and melodic sequences keep one engaged from start […]
Topdown Dialectic :: Vol. 2 (Peak Oil)
While there’s no shortage of dubby electronica to explore at the moment, few producers have such an understanding of tension, the confidence to make bold […]
Eskostatic :: Serpentines & Valleys (Ultimae)
Textured light and dark tones cascade as Eskostatic’s debut on the prolific France-based Ultimae imprint unearths a vast 75-minute collection of tempered low-end odysseys well […]
The JD’s :: “Store Detective” video premiere from forthcoming album The Texas Chain Store Manager
The next album from the dynamic duo known as The JD’s (Jack Dangers/Meat Beat Manifesto and Jon Drukman/Bass Kittens) is in the can! Following up […]
Rico Casazza :: Vapor Pad Remixes (Loose Lips)
Rico Casazza’s latest contribution to the world of abstract electro, broken beats, breaks, bass, and synthesizer rhythms from outer space now takes the shape of […]
Oberman Knocks :: Remhex Coyles EP (Aperture)
Here we get to enjoy Oberman Knocks tread through similar (past) terrain, albeit with a more personal sound space that is at once controlled and […]










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