Shinrin Yoku projects cinematic quality narration within this captivating arc. Taking off from meditative control, progressions soon lead through saturated percussion that from the offset may seem slightly unsettling.
Tag: Dub
V/A :: Eleventh Listen (People Can Listen)
Belarus-based People Can Listen push forward with their Listen series, and the Eleventh assortment features 17 cutting-edge tracks spanning multiple levels of the experimental electronic spectrum.
Phoenecia :: MD.SLVG (Megastructure)
The perpetual soundscapes deepen a sinister background dialogue all closely drawn together by a pulsating collection of rhythmic fractures.
Gore Tech :: Pulse Tundra EP (Ohm Resistance)
Deeply conceptual—conjuring time, space and even extraterrestrial life, exploring feelings that are intensified to the point of wildness, with the purity of spirit.
Phoenecia :: MD.SLVG (Megastructure)
A salvaged live disintegration from the golden age of IDM brainhacking.
Reclusive experimental electronic music duo Loess announce Totems — exclusive steam of “blaen”
Totems displays Loess’ adeptness at fusing ambient, dub, garage, and “intelligent dance music” to create a unique take on electronic music.
Kanz :: Remind Me Tomorrow (Mahorka)
These are sounds of silence—signs and signals scattered on desolate landscapes, unusually lifelike with organic substructures made audible to the human ear.
Paratoma :: One x 3 EP (Self Released)
As the artist accurately describes, these are analog accidents that rinse, repeat, and reflect—stitched together like an aural set of strands. Both organic and orchestrated with a lively feel, One x 3 is a welcomed if not ghostly three-piece suite with nuanced exploratory sounds.
Scorn :: The Only Place (Ohm Resistance)
As drifting dandelion seeds float in the ether, the only place where one can find a cacophony of fractured drones, shimmering echoes, and sandblasted bass is right here in this wide open space that Scorn carves out for us.
Skee Mask :: Pool (Ilian Tape)
Shred and Compro—the previous two full length releases from Skee Mask were both monumental in their own right, but on Pool, Müller seemingly pushes his productions even further, not letting his past works limit or define him.
Sedibus :: The Heavens (Orbscure)
Falconer brings an epic, deliberate, and slowly evolving soundscape of soaring orchestral sounds and synthesizers, while Alex lays down a thick layer of his signature field recordings and aural candy.
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