Experimental Electronic Music
Where minuscule errors loop, dither, and fade, these precious slices, while seemingly arcane, tend to explore organic worlds; their blissful bristles and tangible electrical machinery merge with expansive and detuned instruments that we can’t quite pin down.
The signals swerve, trapped forever between electronic space ambient and interplanetary sci-fi. The final chapter tells the tale, but the various preceding tracks of galactic movie magic theme soundtracks also are each and all awesome.
As a whole, Geirþjófsfjörður has a touch of the epic without being obtuse. It’s a fine balance and finely achieved….
After several dreamy ups and downs, in the end, artists Matthew Mercer and Matt Keppel are on to something; something almost cinematic.
Each passage is soaked in true feelings that chooses warmth to fill up our own negative space.
The emotional ebbs and flows are deliberate with guitar and piano speaking to our unconsciousness.
Dilapidated structures and sub-structures deform on RX_71_0 casting blistered symphonies submerged in devastating rhythms.
Maneuvering through dilapidated ambient-electronics, alien concrète reverberations and clicks’n’cuts, data swirl and digital flutter.
Music for Delirious Episodes brings together eleven compositions. Ard Bit is known for his delicate, almost brittle, works. This collection focuses on that same fragility that fascinates Janssen.
We Will Live On is the new album from Emmy Award winning producer/composer Deru aka Benjamin Wynn.
35 minutes of pluvial drones replete with soft white/grey noise and sotto voce spoken word possess a mesmeric quality that transcends the reductive description herein.
![F~M :: Fose (Old Technology) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/05/fm-fose_feat-75x75.jpg)
