Experimental Electronic Music
Field of Coincidence is the debut album documenting the collaboration between LA-based artists Jesse Perlstein (Sontag Shogun, AxOxH) and Michael Robert Chadwick (Fake Sword, Plum Professional), aka Trellis. Perhaps the perception of coincidence can serve as a link to folk psychology and philosophy as well as supernatural, occult, or paranormal claims, psychological reasoning, and the statistical probability of chance events.
Romantic, Visceral is highly recommended for those who enjoy challenging music with semi-classical overtones and chilling stylistic pathways dominated by energetic electronic textures. Without neglecting its own originality and trippy, chameleon-like strength, this album stands as the missing link between Brendan Moeller, Burial, and Michel Portal.
Across eleven diverse movements, SICK STREET displays rhythmic elasticity, aural sculpting assembled from found sound, cellular technology, environmental residue, postcode mosaics, and a restless multiplicity of influence.
Across The Dreamers Of Dreams, Bowman detonates maniacal braindance mechanics, electro errorfunk ripped into synthetic ribbons, and a cut-and-paste sampladelia that early Coldcut would likely have fought over releasing.
Each chopped rhythm feels tethered by fragile harmonic strands, giving Echoloto its identity as a multidimensional collection of fuzzy glitch-hop abstraction, steeped in grit, grain, and faded sonic residue.
soak vol 2 unfolds like a damaged transmission from somewhere intimate and unplaceable—32 fractured, emotional, and strangely beautiful pieces stitched together from the outer edges of contemporary electronic sound.
Within that tension between structure and collapse, Sven Piayda uncovers a strange sense of ease. Intercelestial thrives inside instability, shaping corroded electronics and broken rhythmic patterns into something fluid, tactile, and strangely alive.
The downtempo chug is still there, but it’s been processed through decades of IDM evolution, filtered through the same sensibility that informed Beans’ abstract hip-hop work and Schematic’s experimental roster. DL Poisons’ unsettling in the way that the best experimental electronic music should be, familiar enough to feel grounded, strange enough to keep you off balance.
Empty Halls is a longer meditation, generating a haunting atmosphere that invites the listener to become lost inside its unfolding darkness. In this way, it can also provide peace and comfort in the darkness of wintertime.
NOSTOI reveals Luca Bevacqua as an artist less concerned with composition in the traditional sense than with the shaping of the listening experience. The album aggressively resists passive listening; it asks to be inhabited, endured, even wrestled with. Host and parasite marry.
On Lumen, Chris Russell trades the shadowed tones of Noir (Projekt, 2024) for radiant piano-laced atmospheres that echo his debut Labyrinth on Spotted Peccary Music, crafting eight luminous soundscapes that feel like stepping through a veil into widening light.
