Experimental Electronic Music
Human Music: Live Improvisations I serves as both a statement and a philosophy. What I hear is a collection of live performance recordings, each about 6-7 minutes long, one player/performer using layers and loop technology to play many instruments at once in a live setting, creating classical flavored music improvisations and instrumental expressions with haunting vocals that are entirely without word content, just emotional tones that bend and transmit.
Two albums, two deeply immersive worlds, where restraint, process, and patience become the most powerful instruments of all.
An album that stands apart through its simplicity and its willingness to be open. In a time saturated with noise and urgency, The OO-Ray has created something patient and enduring. Marginals is a work of care and contemplation, a reminder that even in the shadow of disaster, there is beauty in not forgetting.
Kaleidoscope reveals more hidden dimensions and interpretations of the marvelous world around us, an autobiographical journey through the creative life itself, cyclical rather than linear in form. The feeling is enriching and complex, more listening unlocks more new territories.
Love Letters unfolds as a luminous inward journey—where classical warmth, electronic bloom, and rhythmic grace converge to celebrate self-acceptance, emergence, and the quiet power of realizing we have always been enough.
Elori Saxl’s Drifts And Surfaces opens with a stark electronic pulse, setting the tone for an album that reshapes her experiences on Lake Superior into three distinct, commissioned works. Expansive yet intimate, it explores the lake’s haunting duality and the fluid boundary between individual identity and the artistic communities that carry us.
Simon Spiess (aka Late Bloøm) is a young and versatile sound artist based in Switzerland with roots in spacious, tape loops, and micro-tonal explorations.
interius/exterius unfolds with patience, drawing the listener into an auditory space where subtle shifts in timbre and resonance take on profound emotional weight.
Jazz and neo-classically informed piano and Rhodes-like timbres take center stage across the nine pieces gathered together for this debut full length effort. Interlaced ambient textures and rhythmic melodies round out the sound palette.
Robert Logan is no tourist, but an adventurer who is unafraid to get close to the local flora and fauna wherever his music takes him.
Transporting us back to the early aughts where Toytronic, Art-Tek, Neo Ouija, and Pause_2 labels launched melodic experimental electronic transmissions during the height of IDM; Low Communication glides somewhere between then and now.
