Experimental Electronic Music
Primal Forms is quite a propulsive and beautifully elaborated electronic synthedelica effort that will ravish listeners of adventurous music with dancing, then hallucinogenic qualities. The synergy between the two musicians works like magic and with a clear easiness.
Concept Record not only works as a creative tool; it demonstrates what can be created when Professor Ben’s instruction is heeded. The concept is to use this record alongside other records to make new records, while providing a legitimate D.H.S. album of its own right—one that embraces the features that help make physical records so fun and appealing.
Most ingredients are well known, but it’s the ingenuity with which they are married into one homogenous alloy that makes Anemoia not simply a standout IDM piece in terms of production proficiency and storytelling, but an important milestone in the history of modern electronic music in general and, for me, a present and future classic.
A label that kept going, kept releasing, kept refining a shared aesthetic without compromise or concession to trends. aux4444 pt.1 carries all of that history in its drum patterns and melodic builds, and it sounds better for it. This is what underground electronic music looks like when it’s done with genuine conviction over a sustained period of time.
Simon Heath closes the release notes with “May you rest in peace.” There’s nothing to add to that. The Yasu Ether Project is an overall haunting and pleasant experience, a final document of an artist who understood that darkness and stillness aren’t opposites of beauty but conditions under which a particular kind of beauty becomes possible. César Alexandre knew that instinctively, and this album proves it one last time.
Arca’s latest record pushes her glitch-heavy, genre-defying sound further than ever, turning chaos, vulnerability, and radical experimentation into one of her most fearless works yet.
Leo’s latest six-track EP, Cicada Burnt, is a stunningly crafted collection of teknoid soundscapes where cutting-edge pulses scatter love bullets of intent with serious depth, weight and imagination.
With the completion of this trilogy, we acknowledge our part as a remote viewer of Dean’s life over three decades. Salvaging The Future—perhaps more than the prior two albums—is a restless collage, yet it is so well mixed that it lends itself to uninterrupted full-album listening. This listener is tuning in about 2x per day at the moment. Despite the challenges these decades have wrought, the trilogy’s close with “Our Story Survives Collectively” leaves us with a sense of hope. This is music for visioning.
The Precipice is the clearest proof yet that the trust between Boulton and Bax runs deep enough to produce something genuinely singular. It’s the sound of two producers who stopped negotiating with each other and started finishing each other’s sentences.
Mount Analogue is a landmark work from a master artist in tribute to the great chain of influence that goes from one seeker to another, from one artist to another. I consider it another essential clue in my own quest for discovering an applying obscure knowledge.
Norway-based producer/musician Karl Endreson’s downtempo electronic project has been active since 2006, purveying nature-inspired soundscapes mixing ambient textures and trip-hop beats with guitar and field recordings, steeped in atmosphere infused with a deep sense of melody and nostalgia.
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