Experimental Electronic Music
It is, indeed, a record featuring collaborators from all around the world, from jazz musicians, to classical, to spoken poetry, there is a lot to explore, with each track also being an enjoyable experience—it’s not just variety for the sake of it, there’s a lot of effort everywhere here!
What is the difference between abandoned and forsaken? Dark tension, pounding under sustained horror and tension. This goes on forever. We are tourists here, and can go at any time. Peering into the darkness, we linger.
The atmosphere herein simply spills over non-existent—perhaps even floating—boundaries with a surplus of instrumental virtuosity, roughened textures, and vaporous brittle tones that time shift and alter before our own eyes.
A convincing album which can easily seduce avid listeners of ritualistic soundscapes where acoustic instrumental elements are melted with ambient-cinematic epicness.
Ground State announces surprise compilation to celebrate Igloo Magazine and support the Electronic Music Community. (Press Release)
Jazz and neo-classically informed piano and Rhodes-like timbres take center stage across the nine pieces gathered together for this debut full length effort. Interlaced ambient textures and rhythmic melodies round out the sound palette.
The homage to epic and neo-mythological science fiction novels from classic-era is implicitly brought up to the fore. Thus this soundtrack can be well recommended while reading visionary literature from Arthur Machen and Henry Rider Haggard where heavenly mysticism meets dark energies and horror stories.
Both Martin Boulton (aka Min-Y-Llan, Touched Music founder) and Jeroen Bax (aka exm) build incredibly surreal audio worlds. As their earlier releases were characterized as a “real demonstration of powerful synergy,” this eponymous release draws a recognizable pulse.
Veter glides by like gentle snow falling in the heart of winter, with its melodies drifting past light technoid flutter and a crisp chill in the air.
This closing retrospective explores a dozen sculpted electronic textures and tones, where rhythmic audio structures collide and collapse, crumple and fold, as the Australian label shifts into the forward-thinking Glitchpulse Records outfit.
Northern Mexico’s Facade Electronics’ annual compilation titled Sampler IV (aka Sampler IV. Present and future. Facade Electronics 2020-2025) shifts into their fourth of the series, representing fourteen tracks that spark and shimmer at all the right angles.
![F~M :: Fose (Old Technology) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/05/fm-fose_feat-75x75.jpg)
