Darren Harper and Ümlaut create one long dreamy track and eleven short fragmented listening experiences.
Tag: Acoustic
Marla Hansen :: Salt (Karaoke Kalk)
Salt takes the delicate mixture of acoustic instruments such as viola, violin, piano and guitar combined with subtle electronics to the next level. The new album is both a remarkable departure and at the same time sheds a new yet reassuring light on Hansen’s work and creativity.
Masaya Ozaki :: Mizukara (laaps)
Masaya Ozaki explores various sound sources on Mizukara and then manipulates them into comforting or sometimes discomforting new textures. There’s various acoustic instruments that get played with, contributing to the album’s overall variety and different soundscapes.
Francis Gri :: While (Self Released)
Written as an inner soundtrack where delicately moving melodies rise from velvet-like abstract electronics.
Micah Pick :: Frameworks (Audiobulb)
These themes explore the surprise at finding unexpected joy even at our darkest moments when our worst fears are realized and facing the unique stresses of adulthood by retaining a sense of childlike joy.
Aidan Baker :: Tense Surfaces — Remastered (Panospria)
Tense Surfaces is an active departure from the glacial movement of Baker’s earlier work that I am familiar with and is a very delightful surprise.
Maps and Diagrams :: A Study of Ends or Purpose (Handstitched*)
What I hear are experimental, textured soundscapes, multilayered fusions of digital and analog techniques, sparse haunting keyboards and atmospheres…
Alexandre Navarro / Caya :: Phases / Dream Vestibuli (Handstitched*)
Two engaging and alternative perspectives, focused on their diverse range of sound and melodic fusions. Navarro’s Phases & Caya’s Dream Vestibuli is a contrasting range of electronic-acoustic and organic sounds.
Benoît Pioulard :: Eidetic (Morr Music)
Throughout the album, labyrinthine lyrical reflections are dispersed with dazzling images, blurring scenes in world history with the most personal album by Meluch.
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