Experimental Electronic Music
With its emphasis on subtle variation and harmonic innovation, Loop 7 is a compelling listen for fans of experimental music and microtonal compositions, inviting deeper engagement with every spin. This is a standout release for both Golub and Greyfade.
Erratic yet unusually serene, offering a glimpse into a kaleidoscope of off-kilter synth sketches, rough IDM underpinnings, and sprinkling mellifluous tones around the margins.
The atmosphere herein simply spills over non-existent—perhaps even floating—boundaries with a surplus of instrumental virtuosity, roughened textures, and vaporous brittle tones that time shift and alter before our own eyes.
Ground State announces surprise compilation to celebrate Igloo Magazine and support the Electronic Music Community. (Press Release)
Veter glides by like gentle snow falling in the heart of winter, with its melodies drifting past light technoid flutter and a crisp chill in the air.
The holiday season is upon us. The cold has arrived on Madrid’s city streets and to combat it WE FORFEIT have gathered together two hours of sizzling electronics to warm the cockles.
This closing retrospective explores a dozen sculpted electronic textures and tones, where rhythmic audio structures collide and collapse, crumple and fold, as the Australian label shifts into the forward-thinking Glitchpulse Records outfit.
Northern Mexico’s Facade Electronics’ annual compilation titled Sampler IV (aka Sampler IV. Present and future. Facade Electronics 2020-2025) shifts into their fourth of the series, representing fourteen tracks that spark and shimmer at all the right angles.
Diving head-first into Wankers United’s (also known as Thomas Lanza) most recent album, Zootech, for Evel, and we’re hypnotized by its melodic disintegration and glitch-laden groove.
Where atmospheric waves coalesce, drifting sonic ice-sheets scrape up against each other as Identity Values subtly gains momentum while aligning with Audiobulb’s extensive Rolodex of abstract sound sculptors.
This assemblage being the fourth of the series, cascades without form, veering between the boundaries of experimental sonic media and next-level hyper glitch mechanisms, and is curated within introspective, low-flying IDM/braindance morsels.
