Experimental Electronic Music
Two highly acclaimed figures of IDM, downtempo, synth, and post-techno music join forces to release a puzzling album of hyperactive grooves and hypnotic pulses seconded by soothing ambient moves. The thematic background leads the listener into the modern-era of cycling and in particular the Tour de France’s epic sport adventure.
Quality Time Volume 4 slices a deep cross-section through the label’s unique sonic vision; to encapsulate a myriad of abstract electronic music structures and blend them seamlessly in this fourth volume. It might also be fitting to find more quality time and head back to Bonding Tapes’ earlier volumes again.
Overall, Cast Down And Hunted is a powerful release where I doubt I’ll ever play the B-side again; because it’s THAT powerful! But that A-Side might well end up on a ‘best of’ year list.
Similar to Richard Devine’s industrial synth-mechanics mixed with the rhythmic crunch-hop of Gescom, lifeisfeedback (aka Benjamin Chilton / Elevator Sound) sets a memorable tone as he opens an account with GOTO.
“The DiN ambient label was set up by Ian Boddy in 1999 to release ambient electronica that bridged the gap between the analogue sound of the early 70’s synth pioneers and the digital soundscapes of the more experimental modern exponents of electronic music.” Now celebrating their 25th Anniversary with a colossal 20 track compilation (CD/Digital), Ian Boddy discusses the label and its history with Philippe Blache.
With versality, skills, and a delectable sense of transcendental escapism, every musical contribution brings tone textures, patterns, timbral experimentations, harmonic progressions, and processed sound motifs to ravish your ears.
We find it all confusing and compelling at the same time. A serious snapshot through our day-to-day lives and the mundane commercial messaging that unfortunately is part-and-parcel of corporate powerhouse greed taking over our devices.
With a pulsating four-track manifest titled Nulla Anima, the multitalented audio craftsman disperses hundreds of beats, blips, and bleeps deep into left field.
Dark undertones and intricate percussion riffs dominate this album that starts off ominous in the first half and in the second part shines with rays of light and majesty poking through the heavy clouds.
The high-octane drill’n bass maestro keeps pushing the envelope, incorporating sandblasted acid-electronics and off-center rhythms in this heavyweight five pack manifest.
Zero Eight pulls off a rather satisfying mix of noise, ambient, and experimental electronica. The way the record is constantly shifting into new ideas makes it really engaging from front to back, but so does its claustrophobic atmosphere.
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