Experimental Electronic Music
And so we come to When Can, the strangely enigmatic and oft-overlooked collaboration between Kettel and the equally elusive Secede. I’ll admit to being as surprised as I was delighted when Lapsus announced its reissue as a deluxe vinyl edition because it’s an album I adore, so much so this is now the third time I’ve written about it.
One of the many experimental three-track records from Bernhard Living, From Here to There is yet another exploration of tonality and thought.
Armagideon Machines is a robust EP pushing forward with sandblasted rhythmic dark-ambient dub strands from the farthest reaches of our universe, and is a treat to consume in one take.
Fluttering beats dissolve within ambient ice sheets, blurred samples, found sounds, and expressive atmospheric shadows that lurk in the background, encapsulating the entire cosmos in a drifting musical mashup.
There’s a rolling, inchoate feel to Descended Hope that gives way to perceiving and understanding the subtler transitions in the pieces.
A powerful amalgamation detailing Acroplane’s musical trajectory as they continue to scrape deep and jagged fissures into the terrain year after year.
Welcomed by the superb quiet details label—responsible for classics in sculpted minimalist and lush dronescapes—Weeds is an other captivating, perfectly executed, and subtly moving, serene, granular sound experience for day-dreaming and serious meditative inner levitations affected by lonesome souls.
Caesura is a very listenable production, with consistent compositions and solid mastering; several familiar classical and acoustic sounds are infused all around.
Raw Øblations 3: Fed to the Crows is a short sharp shock of an EP by Sombre Lux.
The duo’s exceptional ability to create gritty compositions, minuscule glitch shapes, and abstract vocal data streams, all coalesce in The Longer Morrow, a potent auditory collection.
ENDROLL is an EP that weaves together a landscape of multi-instrument improvisations. The genesis of this album began with the question of whether all music needs a beginning, and instead, to hypothesize on whether music could still retain intention when drawn from a place of “finality.”
![F~M :: Fose (Old Technology) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/05/fm-fose_feat-75x75.jpg)
