The newest expression, Were we really there?, is a beatless paean to somnambulist mornings at campfire-ember edges, or where the lull of lapping lakes adjacent to preemptive summer sunsets captivate.
Tag: Abstract
Shīdo :: Interims (Woodland Creatures) — [concise]
Interims casts a lullaby-like spell—a surreal fracture in time, a quiet refuge from modern noise, and an ambient glow that invites full immersion from beginning to end.
Shane Parish :: Autechre Guitar (Palilalia)
Gratitude feels like the right place to begin—because without a chance introduction decades ago, this remarkable record might never have found its way into the world.
clocolan :: When The Emptying Sun Filled the Sky (Red Pan) — [concise]
Sound here leans toward airy abstraction; When The Emptying Sun Filled the Sky glides through drone and slow motion, maintaining a subtle pull throughout. It plays like a companion for solitude, offering a calm passage inward, where stillness feels both intimate and restorative.
Autechre :: Amber (Warp) — 31+ years later
Over 31 years ago, a casual tip from a friend in a Cambridge video store introduced me to Amber, an album that quietly reshaped the way I listened to music and still amazes me decades later.
Grosso Gadgetto :: Progressus (Mahorka)
A delicious, bittersweet atmosphere gently envelops Progressus, carrying a sense of timeless grace and sentient enchantment throughout.
V/A :: √∆2 (Massage Brain Cult)
√∆2 feels both like a fluid label showcase and like an authentic snapshot of a modernist community — one that understands how to make braindance-submerged club music inviting without sanding away its cerebral edge.
Precenphix :: Teichopsia (Not Yet Remembered / Move Quiet)
Teichopsia is a dense, interactive array of drifting electronic environments—machinery humming somewhere above the atmosphere, signals circling endlessly through cold orbital nights. An unyielding ambient-industrial smorgasbord not to be missed.
Drifting In Silence :: Where Waves Begin to Collide (Labile)
Dedicated to Mike Petruna, whose recent passing lingers behind every note, Where Waves Begin to Collide deepens Stembridge’s devotion to immersive exploration.
Nathan Fake :: Evaporator (InFiné)
Evaporator, then, sees the pop accessibility and playful experiment latent in releases from debut Drowning In A Sea Of Love (2006) to the recent Crystal Vision redirected by NF through a prism of deep electronica, trance uplift and ambient sweep; also, incidentally, continuing inclusion of fruitful team-ups with spirit kin (e.g. Border Community bud Dextro on “Baltasound” and Clark for “Orbiting Meadows”) into his lone M.O..
BLACK ANT :: Dokkōdō (Y-7-ZERO))) (Self Released)
Sound arrives warped, bent out of shape, tangled inside broken-beat filaments. Dokkōdō (Y-7-ZERO))) moves through knots of blips and bleeps, a maze of micro-techno sparks, flickering bass currents, and crooked mechanical murmurs.
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Boards of Canada announce Inferno (Warp) — May 29, 2026
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Dragon :: Interlinked EP (Ryu) — [concise]
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