Experimental Electronic Music
Meet Mike Griffin, the sonic wizard behind Energy No. 13, hailing from the dynamic music scene of South Florida. With roots deeply entrenched in the world of rock and metal, he made a thrilling transition into the electronic music realm during the mid-1990s…
The end product is a potent jumble of industrial goliaths and saturated glitch entangled in a web of modular mayhem.
The scene is full of muted blips and bleeps hidden beneath a multitude of waves that gently rise and fall, occasionally dipping into distant echoes of light and evolving drone tones.
Ultimately an EP that references early IDM years, including “connection” points such as Proem, Ochre, The Flashbulb, and Bad Loop—it’s succinctly mechanical and utterly balanced front to back.
Another incredibly surreal album of cutting-edge experimental electronic music from a gifted sound design artist.
In its ten sonic Polaroids, which are wide and bursting with life, there are cracked clip-hop moments as well as early Skam and Toytronic days of murky electrical flows and brittle lullaby mechanics.
Definitely a planned voyage submerged in hundreds of warped electrical sound fields and swirling auditory debris, this is a mechanical and alien bombardment of the senses.
Clean Error have consistently been at the top of the heap; releasing experimental, glitch, ambient, and abstract IDM as the Errormatic series, which is now on volume 3, reveals an 11-track exploration while also acting as its own unique sphere of influence.
