A master of bass manipulation, Smerdon’s final release as Mothboy is typically bass heavy but as wonderfully produced and executed as you would expect if […]
Recent Posts
Set In Sand :: Return (Abandon Building/Symbolic Interaction)
This is mutant music, a one-off experiment that transforms a few tinny notes and gear sounds into an orchestra of phantom marimbas. Return is a […]
Matta :: Prototype (Ad Noiseam)
Listening to Prototype on either headphones or a home hi-fi simply won’t cut it, as you’ll never fully understand what this record will do to […]
SuONOIO Synthesizer (Gear review)
Looking more like a VGA card than a Moog, the SuONOIO is capable of pumping out all sorts of glitchy noise and madness. The SuONOIO […]
V/A :: Experimental Dance Breaks 36 (Plastic Sound Supply)
Most of the songs on this compilation are at least grounded in dubstep. They crawl along at the familiar 2 speeds at once, one a […]
Bvdub :: The Art of Dying Alone (Glacial Movements)
Predominantly beatless tracks consisting of recursive delicate motifs, lilting chord progressions build to soft climax in surges of layered and looped fragments: strings, vocals, piano, […]
Peter Martin Christopherson aka “Sleazy” (1955-2010)
Christopherson’s personal legacy and contribution to underground music burns brightly and will live on for long to come. Never one to shy away from controversy […]
Anders Ilar :: Stories of Old (Yard Rec.)
The first thing that strikes home about Ilar is the variety of styles he draws upon. Electronica is meshed with minimal techno and deep house. […]
Heinrich Dressel :: Vicolo Cieco (MinimalRome)
There are few artists that make what Heinrich Dressel does, rich movie score pieces of electro. The tracks are drenched in analogue depth, echoing the […]
Arne Weinberg :: Chrome EP (Diametric)
On hearing Chrome I thought of how much I enjoy listening to this kind of music during these long cold winter nights. And I do. […]













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