In the end PanFM: Chapter 2 is a thorough manifest of audio scribbling that not only augments and realigns the original, it comes across as […]
Recent Posts
Beatmakin Troopa :: If You Fall You Fly (Triangle Productions)
Making use of all sorts of found sounds with varying degrees of processing applied to build an intricate sonic backdrop for the cool beats and […]
Twiggy And The K-Mesons :: Technique (uvg212 / Daddy Tank)
Tethered to loose wires dangling from analog machinery, Technique is an unusual listening experience. Broken synthesizers, knobs and sliders cascade their audio interruptions in the […]
Qebrµs :: ⊶⊑∷⌊∴⊹∵⌉∷⊒⊷ E_P (Self-Released)
Bending and altering similar tones throughout, time shifts in atonal algorithms, almost intentionally set as a series of experiments that feed off each other. [Release […]
Yellow6 & Caught in the Wake Forever :: The Slow Manipulation of Dying Light (Hibernate)
The Slow Manipulation of Dying Light comes in like a lion and out like a lamb. [Release page] Jon Attwood and Fraser McGowan are Yellow6 […]
Mad EP and Shadow Huntaz :: Nightmare Scenario EP (Acroplane)
Nightmare Scenario delivers sharp hard hitting vocal attacks coupled with some really low and dirty beats. It’s slow and dark with a fair bit of […]
Solipsism :: Weaving Spiders (Herb)
Weaving spiders is a magnificent and sonically meditative sound experience, colorfully ritualistic, spherical and deeply absorbing. The music takes advantages to visual-perceptual forms, tonal clusters […]
Paco Sala :: Ro-Me-Ro (Digitalis)
The Paco Sala project has an unshakably strong sense of identity and purpose. The confidence and certainty in the production, with every note and synthesizer […]
Easychord :: Not in My Family Tree (Heart and Soul)
Easychord encourages us to listen closely to the slowly swirling eddies he stirs up, to understand what we hear, our own private interpretation of the […]
Diskrepant :: Through an Odious Framework (Attenuation Circuit)
Active as Diskrepant since 1997, he uses vinyl static, analogue systems, concrete sounds and field recordings and all the gadgets with which to forge them […]
















