Experimental Electronic Music
This month we present a powerful two-hour excerpt from a four-hour session recorded with my friend and outstanding musician Paul Smith—aka Leonid—captured live at Nuevo Montacargas, showcasing his signature blend of acid ambient, bleep, electro, house, and techno from the softer edges of each genre.
Andriy Vezdenko’s Noumen elevates Altum into a singular realm, where fractured rhythms, lush downtempo, and meticulously sculpted IDM converge into a dazzling, otherworldly journey.
Scanner’s Forces, Reactions, Deflections distills three decades of restless sonic curiosity into a quietly breathtaking work that proves Robin Rimbaud is still redefining how — and how deeply — we listen.
Daniil Chernov’s Plateau EP surges through six abstract, timbre-rich sound sculptures that morph from drone-fuzz murmurs to cinematic swells and fractured rhythmic architectures, culminating in a bloom of distorted yet delicate beauty.
In a world overflowing with unheard music, Torre di Fine’s EP2 cuts through the noise with a raw, heart-forward surge of distortion, emotion, and shimmering post-rock energy that reminds us why human-made sound still matters.
Forged from molten noise and fractured signals, Interstices erupts as a singular ascent through glitch-scarred rhythms and microscopic sonic debris, compressing six turbulent extractions into one tightening, otherworldly pulse.
Time becomes a resonant vessel in Dubree’s Ratio et Caritas, carrying listeners through nostalgia, memory, and forward-moving emotion in one continuous, reflective current.
Cent’anni is the new single by Inude, marking the first chapter of a new cycle: a ballad about time that shatters, suspended between love and destruction.
Prototype detonates with microscopic glitches and prismatic electronic pulses, distilling nine tracks of tangled melody and flickering rhythm into a single luminous surge of future-leaning sound.
Hip-hop was never my main musical obsession, but it pulsed through the background of my youth—skate sessions, cheap forties, porch-side blunts—quietly shaping the soundtrack of growing up. Ben Pedroche’s Independent as F*** a vibrant history of indie rap from 1995–2005, taps straight into that world, revealing how artists built their own freedom and infrastructure far from the grip of major labels.
Chilean electronic maverick Julio Pérez Solis (aka Neosintetico) detonates The Voice of Energy with an 11-track blast of breakbeat, dub, electro, and industrial firepower, instantly staking his claim as one of 2025’s essential disruptors. Bass-driven reggae flashes, Kraftwerkian pulses, and brutal hybrid mutations collide in a turbulent, genre-scorching surge that hits like a rogue transmission from the future.
