Introduction Q & A – Part 4 [Live @ Primary] :: Review [Live Excursions] :: Review Read Part 5: Transference Read Part 3: Orbital Introduction […]
Recent Posts
3View :: Chihei Hatakeyama
Since 2006, Chihei Hatakeyama has delivered album after album of thoughtful, exquisitely crafted ambient music, a series of mirages that, although inspired by what he […]
Shadow Priest :: Street Theatre (Section 27)
Fractured, spliced and intermixed with funk contours, Street Theatre unfolds its laid-back groove via 17-tracks of emotive bliss, ambient intonations and tethered samples. As a name […]
Sabri Meddeb :: Between Dawn and Dusk (Self-Released)
Though woven of the loosest skeins of its wool—birdsong, windswept treetops, insect trill—the color and clarity of Between Dawn and Dusk is immediately arresting. The […]
Node :: Node 2 (DiN)
A powerfully rich and remarkably dynamic release that guides the listener in an enthralling electronic cosmic dance. Essential listening to all exigent listeners, lovers of […]
V/A :: Fields of Light (Photic Fields)
This is a compilation that selects some of the most heartening and inviting aspects of modern electronic music. Photic Fields can, by now, claim more […]
Roberto Crippa :: Reverse (We Can Elude Control)
Reverse paints a cityscape of greying facades, wondrous skylines and a somewhat frightening underbelly. We Can Elude Control really caught my attention last year with […]
DISPLACER :: Igloo Mix
Displacer (aka Michael Morton) recently submitted an exclusive Igloo Mix, one that represents current listening all interconnected like a simmering electronic soup. Head of The […]
Obergman :: Cyclic Multiverse (Abstract Forms)
Funk is sliced into cold machine movements as clinical beats batter. A name like Ola Bergman makes me feel old. I first came across this […]
Jon Porras :: Light Divide (Thrill Jockey)
Hypnotic, evocative and dynamic sonic minimalism designed for nocturnal listening. Porras manages to generate tension and provocatively restrained drama that pass through the listener’s veins […]
















